Dominant work: Love's Metamorphosis · genre mix of this topic (British Drama labels): comedy 35%; pastoral 25%; pastoral; comedy 13%
All statistics on this page are on the representative editions (one per work). Including the other editions, placed after the fit: 108 chunks · 42 works · 52,856 words — those 6 chunks are listed at the end of the page and are not part of any figure above.
In the analyses: author comparisons for this topic · this topic by decade.
Amber = capitalised in ≥80 % of occurrences (probable name). Keywords are computed on the unmasked text.
This is the direction topic → genre, on the raw British Drama labels; the share of each genre group's text that falls in this topic is on the Genre page.
Love's Metamorphosis (13), Amyntas, or The Impossible Dowry (13), Gallathea (11), Cynthia's Revels, or The Fountain of Sel (7), Sappho and Phao (6), The Arraignment of Paris (5), The Entertainment in Suffolk and Norfolk (4), Phillis and Amyntas (Ivychurch) (Amyntas (2), The Royal Entertainment at Bisham Abbey (2), A Midsummer Night's Dream (2), Parasitaster, or The Fawn (2), Time Vindicated to Himself and to His Ho (2), Aminta (2), The School of Compliment (Love Tricks) (2), Rhodon and Iris (2) …
| chunk | play | author | published | genre | words | typicality |
|---|---|---|---|---|---|---|
| 96_00018 | Cambises, King of Persia | Preston, Thomas | 1570 | tragedy | 505 | 0.794 |
| 128_00004 | The Entertainment in Suffolk and Norfolk (Royal Entry o | Churchyard, Thomas | 1578 | entertainment; royal e | 497 | 0.867 |
| 128_00006 | The Entertainment in Suffolk and Norfolk (Royal Entry o | Churchyard, Thomas | 1578 | entertainment; royal e | 459 | 0.841 |
| 128_00005 | The Entertainment in Suffolk and Norfolk (Royal Entry o | Churchyard, Thomas | 1578 | entertainment; royal e | 499 | 0.832 |
| 128_00003 | The Entertainment in Suffolk and Norfolk (Royal Entry o | Churchyard, Thomas | 1578 | entertainment; royal e | 498 | 0.824 |
| 133_00004 | Hippolytus (Seneca's Fourth Tragedy) | Seneca, Lucius Annaeus / Studley, | 1581 | tragedy | 536 | 0.795 |
| 135_00025 | Sappho and Phao | Lyly, John | 1584 | comedy | 512 | 0.883 |
| 135_00024 | Sappho and Phao | Lyly, John | 1584 | comedy | 503 | 0.871 |
| 135_00019 | Sappho and Phao | Lyly, John | 1584 | comedy | 498 | 0.843 |
| 139_00011 | The Arraignment of Paris | Peele, George | 1584 | pastoral | 496 | 0.831 |
| 135_00026 | Sappho and Phao | Lyly, John | 1584 | comedy | 537 | 0.816 |
| 139_00008 | The Arraignment of Paris | Peele, George | 1584 | pastoral | 450 | 0.801 |
| 139_00009 | The Arraignment of Paris | Peele, George | 1584 | pastoral | 505 | 0.795 |
| 135_00023 | Sappho and Phao | Lyly, John | 1584 | comedy | 484 | 0.783 |
| 139_00004 | The Arraignment of Paris | Peele, George | 1584 | pastoral | 486 | 0.756 |
| 139_00012 | The Arraignment of Paris | Peele, George | 1584 | pastoral | 501 | 0.746 |
| 135_00020 | Sappho and Phao | Lyly, John | 1584 | comedy | 472 | 0.693 |
| 165_00001 | Phillis and Amyntas (Ivychurch) (Amyntas' Pastoral) | Fraunce, Abraham / Tasso, Torquato | 1591 | pastoral | 517 | 0.857 |
| 165_00000 | Phillis and Amyntas (Ivychurch) (Amyntas' Pastoral) | Fraunce, Abraham / Tasso, Torquato | 1591 | pastoral | 511 | 0.834 |
| 178_00012 | Tancred and Gismund (Gismond of Salerne) | Wilmot, Robert / Hatton, Christoph | 1591 | tragedy | 507 | 0.828 |
| 179_00019 | Gallathea | Lyly, John | 1592 | comedy | 521 | 0.909 |
| 179_00016 | Gallathea | Lyly, John | 1592 | comedy | 499 | 0.867 |
| 179_00026 | Gallathea | Lyly, John | 1592 | comedy | 508 | 0.862 |
| 179_00024 | Gallathea | Lyly, John | 1592 | comedy | 493 | 0.861 |
| 179_00015 | Gallathea | Lyly, John | 1592 | comedy | 476 | 0.857 |
| 179_00002 | Gallathea | Lyly, John | 1592 | comedy | 439 | 0.855 |
| 179_00006 | Gallathea | Lyly, John | 1592 | comedy | 494 | 0.850 |
| 179_00025 | Gallathea | Lyly, John | 1592 | comedy | 487 | 0.825 |
| 179_00018 | Gallathea | Lyly, John | 1592 | comedy | 522 | 0.823 |
| 179_00010 | Gallathea | Lyly, John | 1592 | comedy | 503 | 0.793 |
| 200_00002 | The Royal Entertainment at Bisham Abbey | Anonymous | 1592 | entertainment; royal e | 434 | 0.759 |
| 200_00003 | The Royal Entertainment at Bisham Abbey | Anonymous | 1592 | entertainment; royal e | 474 | 0.691 |
| 179_00011 | Gallathea | Lyly, John | 1592 | comedy | 487 | 0.634 |
| 238_00000 | The Cobbler's Prophecy | Wilson, Robert | 1594 | moral | 493 | 0.760 |
| 263_00022 | Locrine, the Eldest Son of King Brutus | S., W. | 1595 | tragedy | 440 | 0.733 |
| 298_00010 | The Woman in the Moon | Lyly, John | 1597 | comedy | 484 | 0.847 |
| 385_00008 | A Midsummer Night's Dream | Shakespeare, William | 1600 | comedy | 486 | 0.870 |
| 381_00004 | Much Ado About Nothing | Shakespeare, William | 1600 | comedy | 492 | 0.833 |
| 385_00022 | A Midsummer Night's Dream | Shakespeare, William | 1600 | comedy | 484 | 0.727 |
| 409_00005 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 503 | 0.877 |
| 409_00020 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 528 | 0.870 |
| 409_00018 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 482 | 0.864 |
| 409_00012 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 491 | 0.856 |
| 409_00019 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 505 | 0.844 |
| 409_00011 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 487 | 0.843 |
| 409_00016 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 464 | 0.841 |
| 409_00009 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 482 | 0.840 |
| 409_00013 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 486 | 0.823 |
| 409_00003 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 508 | 0.800 |
| 409_00002 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 424 | 0.790 |
| 409_00017 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 486 | 0.780 |
| 409_00004 | Love's Metamorphosis | Lyly, John | 1601 | pastoral; comedy | 516 | 0.773 |
| 416_00034 | Il Pastor Fido, or The Faithful Shepherd | Dymoke, Tailboys / Guarini, Giovan | 1602 | pastoral | 514 | 0.693 |
| 542_00039 | Parasitaster, or The Fawn | Marston, John | 1606 | comedy | 491 | 0.699 |
| 542_00040 | Parasitaster, or The Fawn | Marston, John | 1606 | comedy | 503 | 0.690 |
| 581_00007 | Cupid's Whirligig | Sharpham, Edward | 1607 | comedy | 487 | 0.823 |
| 672_00020 | The Two Maids of More-Clacke | Armin, Robert | 1609 | comedy | 464 | 0.793 |
| 741_00014 | Cupid's Revenge | Beaumont, Francis / Fletcher, John | 1615 | tragedy | 489 | 0.802 |
| 413_00005 | Cynthia's Revels, or The Fountain of Self-Love | Jonson, Ben | 1616 | satire | 501 | 0.845 |
| 413_00061 | Cynthia's Revels, or The Fountain of Self-Love | Jonson, Ben | 1616 | satire | 489 | 0.841 |
| 413_00062 | Cynthia's Revels, or The Fountain of Self-Love | Jonson, Ben | 1616 | satire | 500 | 0.834 |
| 413_00019 | Cynthia's Revels, or The Fountain of Self-Love | Jonson, Ben | 1616 | satire | 509 | 0.792 |
| 413_00021 | Cynthia's Revels, or The Fountain of Self-Love | Jonson, Ben | 1616 | satire | 514 | 0.779 |
| 413_00056 | Cynthia's Revels, or The Fountain of Self-Love | Jonson, Ben | 1616 | satire | 515 | 0.768 |
| 413_00000 | Cynthia's Revels, or The Fountain of Self-Love | Jonson, Ben | 1616 | satire | 599 | 0.730 |
| 860_00024 | The Tempest | Shakespeare, William | 1623 | comedy | 474 | 0.783 |
| 852_00004 | Time Vindicated to Himself and to His Honors | Jonson, Ben | 1623 | masque | 522 | 0.766 |
| 852_00005 | Time Vindicated to Himself and to His Honors | Jonson, Ben | 1623 | masque | 524 | 0.744 |
| 907_00035 | Apollo Shroving | Hawkins, William | 1627 | comedy | 482 | 0.718 |
| 910_00014 | Aminta | Tasso, Torquato / Reynolds, Henry | 1628 | pastoral | 482 | 0.822 |
| 910_00031 | Aminta | Tasso, Torquato / Reynolds, Henry | 1628 | pastoral | 465 | 0.783 |
| 945_00023 | A Chaste Maid in Cheapside | Middleton, Thomas | 1630 | comedy | 503 | 0.768 |
| 957_00018 | Sicelides (The Sicilians) | Fletcher, Phineas | 1631 | pastoral | 500 | 0.869 |
| 952_00007 | The Spanish Bawd (Calisto and Meliboea) (Celestina) | Mabbe, James / Rojas, Fernando de | 1631 | tragicomedy; literary | 494 | 0.837 |
| 964_00003 | Rhodon and Iris | Knevet, Ralph | 1631 | pastoral | 522 | 0.804 |
| 954_00018 | The School of Compliment (Love Tricks) | Shirley, James | 1631 | comedy | 477 | 0.783 |
| 964_00001 | Rhodon and Iris | Knevet, Ralph | 1631 | pastoral | 474 | 0.772 |
| 954_00007 | The School of Compliment (Love Tricks) | Shirley, James | 1631 | comedy | 488 | 0.766 |
| 971_00065 | Bartholomew Fair | Jonson, Ben | 1631 | comedy | 495 | 0.753 |
| 967_00000 | Chloridia: Rites to Chloris and Her Nymphs | Jonson, Ben | 1631 | masque | 327 | 0.743 |
| 983_00013 | The Rival Friends | Hausted, Peter | 1632 | comedy | 483 | 0.785 |
| 999_00018 | A Match at Midnight | R., W. | 1633 | comedy | 492 | 0.852 |
| 1091_00015 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 484 | 0.835 |
| 1091_00007 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 489 | 0.808 |
| 1091_00005 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 497 | 0.801 |
| 1091_00026 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 494 | 0.799 |
| 1091_00040 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 513 | 0.796 |
| 1091_00001 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 503 | 0.791 |
| 1091_00041 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 517 | 0.781 |
| 1091_00034 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 462 | 0.779 |
| 1091_00009 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 479 | 0.758 |
| 1091_00036 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 493 | 0.735 |
| 1091_00030 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 496 | 0.711 |
| 1091_00037 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 480 | 0.704 |
| 1091_00006 | Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | pastoral | 476 | 0.684 |
| 1071_00022 | The Wise Woman of Hogsdon | Heywood, Thomas | 1638 | comedy | 480 | 0.638 |
| 1095_00033 | The Ball | Shirley, James | 1639 | comedy | 488 | 0.824 |
| 1095_00025 | The Ball | Shirley, James | 1639 | comedy | 497 | 0.750 |
| 1131_00022 | Messalina, the Roman Empress | Richards, Nathaniel | 1640 | tragedy | 500 | 0.795 |
| 1136_00004 | The Arcadia | Shirley, James | 1640 | pastoral; romance | 471 | 0.792 |
| 1162_00001 | Christmas His Masque (Christmas His Show) | Jonson, Ben | 1641 | masque | 483 | 0.816 |
| 1162_00003 | Christmas His Masque (Christmas His Show) | Jonson, Ben | 1641 | masque | 467 | 0.717 |
| chunk | play | author | published | genre | words | typicality |
|---|---|---|---|---|---|---|
| 107_00050 | Jocasta | Gascoigne, George / Kinwelmershe, | 1575 | tragedy | 477 | 0.832 |
| 387_00008 | A Midsummer Night's Dream | Shakespeare, William | 1623 | comedy | 483 | 0.862 |
| 790_00001 | Lovers Made Men (The Masque at Lord Hay's) | Jonson, Ben | 1641 | masque | 426 | 0.876 |
| 968_00000 | Chloridia: Rites to Chloris and Her Nymphs | Jonson, Ben | 1641 | masque | 331 | 0.747 |
| 853_00004 | Time Vindicated to Himself and to His Honors | Jonson, Ben | 1641 | masque | 517 | 0.745 |
| 853_00005 | Time Vindicated to Himself and to His Honors | Jonson, Ben | 1641 | masque | 523 | 0.744 |