580 editions of 516 works; 516 representative editions (one per work) carry the analysis, the others were placed after the fit and can be browsed. Each page lists the edition's chunks in order with their topics; dates are publication years, the Annals date is the first performance or composition.
| title | author | published | first performed / written (Annals) | genre (British Drama) | company (BritDrama) | role | chunks | unassigned |
|---|---|---|---|---|---|---|---|---|
| 1 Edward the Fourth | Heywood, Thomas | 1600 | 1599 [1592-1599] | history | Derby's (Strange's) Men | representative | 45 | 60 % |
| 1 Gentleness and Nobility | Rastell, John | 1525 | 1527 [c.1527-1530] | not in BritDrama | representative | 7 | 100 % | |
| 1 Henry the Fourth | Shakespeare, William | 1598 | 1597 [c.1596-1597] | history | Lord Chamberlain's (Hunsdon's) M | representative | 49 | 51 % |
| 1 Henry the Fourth | Shakespeare, William | 1623 | 1597 [c.1596-1597] | history | Lord Chamberlain's (Hunsdon's) M | other edition | 48 | 67 % |
| 1 Henry the Sixth | Anonymous / Marlowe, Christopher / Shake | 1623 | 1590 | history | Derby's (Strange's) Men | representative | 42 | 35 % |
| 1 If You Know Not Me You Know Nobody, or The Troubles of Queen Elizabe | Heywood, Thomas | 1605 | 1604 [1604-1605; revised c.1632] | history | Queen Anne's Men | representative | 23 | 56 % |
| 1 Jeronimo, with the Wars of Portugal | Anonymous | 1605 | 1604 [1600-1605] | tragedy | Unknown | representative | 18 | 22 % |
| 1 Nature | Medwall, Henry | 1530 | c.1496 | not in BritDrama | representative | 21 | 95 % | |
| 1 Promos and Cassandra | Whetstone, George | 1578 | 1578 [1576-1579] | comedy | Unacted | representative | 21 | 62 % |
| 1 Saint Patrick for Ireland | Shirley, James | 1640 | 1640 | not in BritDrama | Ogilby's Men | representative | 34 | 82 % |
| 1 Sir John Oldcastle | Wilson, Robert / Drayton, Michael / Mund | 1600 | 1599 [Oct 16, payment] | history | Admiral's (Nottingham's) Men | representative | 42 | 79 % |
| 1 Tamburlaine the Great | Marlowe, Christopher | 1590 | 1587 [1587-1588] | tragedy | Admiral's (Nottingham's) Men | representative | 34 | 24 % |
| 1 The Cid (The Valiant Cid) | Rutter, Joseph / Corneille, Pierre | 1637 | 1637 [1637-1638] | not in BritDrama | representative | 27 | 52 % | |
| 1 The Honest Whore (1 The Converted Courtesan) (The Patient Man and th | Dekker, Thomas / Middleton, Thomas | 1604 | 1604 | comedy | Prince Henry's Men | representative | 48 | 63 % |
| 1 The Troublesome Reign of King John | Anonymous | 1591 | 1591 | history | Queen Elizabeth's Men | representative | 27 | 38 % |
| 1 The Troublesome Reign of King John | Anonymous | 1611 | 1591 | history | Queen Elizabeth's Men | other edition | 29 | 49 % |
| 1 The Two Angry Women of Abingdon | Porter, Henry | 1599 | 1598(?) | comedy | Admiral's (Nottingham's) Men | representative | 51 | 78 % |
| 2 Edward the Fourth | Heywood, Thomas | 1600 | 1599 [1592-1599] | history | Derby's (Strange's) Men | representative | 49 | 53 % |
| 2 Gentleness and Nobility | Rastell, John | 1525 | 1527 [c.1527-1530] | not in BritDrama | representative | 11 | 100 % | |
| 2 Henry the Fourth | Shakespeare, William | 1600 | 1597 [c.1597-1598] | history | Lord Chamberlain's (Hunsdon's) M | representative | 47 | 56 % |
| 2 Henry the Fourth | Shakespeare, William | 1623 | 1597 [c.1597-1598] | history | Lord Chamberlain's (Hunsdon's) M | other edition | 51 | 75 % |
| 2 Henry the Sixth (The First Part of the Contention betwixt the Two Fa | Anonymous / Marlowe, Christopher / Shake | 1600 | c.1590 | history | Pembroke's Men (?) | representative | 32 | 59 % |
| 2 Henry the Sixth (The First Part of the Contention betwixt the Two Fa | Anonymous / Marlowe, Christopher / Shake | 1623 | c.1590 | history | Pembroke's Men (?) | other edition | 49 | 57 % |
| 2 If You Know Not Me You Know Nobody (The Second Part of Queen Elizabe | Heywood, Thomas | 1606 | 1605 [1604-1605; revised c.1632] | history | Queen Anne's Men | representative | 44 | 73 % |
| 2 Nature | Medwall, Henry | 1530 | c.1496 | not in BritDrama | representative | 17 | 76 % | |
| 2 Promos and Cassandra | Whetstone, George | 1578 | 1578 [1576-1579] | comedy | Unacted | representative | 19 | 67 % |
| 2 Tamburlaine the Great | Marlowe, Christopher | 1590 | 1588 [1587-1588] | tragedy | Admiral's (Nottingham's) Men | representative | 36 | 53 % |
| 2 The Cid | Rutter, Joseph / Desfontaines, Nicolas-M | 1640 | 1638 [1637-1639] | not in BritDrama | representative | 24 | 91 % | |
| 2 The Honest Whore (2 The Converted Courtesan) | Dekker, Thomas | 1630 | 1605 [1604-c.1605] | comedy | Prince Henry's Men | representative | 47 | 68 % |
| 2 The Troublesome Reign of King John | Anonymous | 1611 | 1591 | history | Queen Elizabeth's Men | representative | 19 | 31 % |
| 3 Henry the Sixth (The True Tragedy of Richard Duke of York and the Go | Anonymous / Marlowe, Christopher / Shake | 1595 | c.1591 | history | Pembroke's Men | other edition | 34 | 71 % |
| 3 Henry the Sixth (The True Tragedy of Richard Duke of York and the Go | Anonymous / Marlowe, Christopher / Shake | 1623 | c.1591 | history | Pembroke's Men | representative | 47 | 57 % |
| A Challenge for Beauty | Heywood, Thomas | 1636 | 1635 [1634-1636] | tragicomedy | King's Men | representative | 36 | 70 % |
| A Chaste Maid in Cheapside | Middleton, Thomas | 1630 | 1613 | comedy | Lady Elizabeth's Men | representative | 34 | 68 % |
| A Christian Turned Turk (The Two Famous Pirates) | Daborne, Robert | 1612 | 1610 [1609-1612] | tragedy | Unknown | representative | 38 | 68 % |
| A Fine Companion | Marmion, Shackerley | 1633 | 1633 [1632-1633] | comedy | Prince Charles's Men (second) | representative | 45 | 53 % |
| A Game at Chess | Middleton, Thomas | 1625 | 1624 [licensed for stage, Jun 12] | comedy | King's Men | representative | 35 | 83 % |
| A King and No King | Beaumont, Francis / Fletcher, John | 1619 | 1611 | tragicomedy | King's Men | representative | 49 | 68 % |
| A Knack to Know a Knave | Anonymous | 1594 | 1592 [Jun 10] | moral | Derby's (Strange's) Men | representative | 33 | 66 % |
| A Knack to Know an Honest Man | Anonymous | 1596 | 1594 [Oct 23] | tragicomedy | Admiral's (Nottingham's) Men | representative | 26 | 54 % |
| A Larum for London, or The Siege of Antwerp | Anonymous | 1602 | 1599 [c.1594-1600] | history | Lord Chamberlain's (Hunsdon's) M | representative | 25 | 88 % |
| A Looking Glass for London and England | Lodge, Thomas / Greene, Robert | 1594 | 1588 [1587-1588] | biblical play; moral | Derby's (Strange's) Men | representative | 39 | 41 % |
| A Mad World, My Masters | Middleton, Thomas | 1608 | 1606 [1604-1607] | comedy | Children of Paul's (second) | representative | 36 | 50 % |
| A Maidenhead Well Lost | Heywood, Thomas | 1634 | 1633 [c.1625-1634] | comedy | Queen Henrietta Maria's Men | representative | 27 | 52 % |
| A Match at Midnight | R., W. | 1633 | 1622 [1621-1623] | comedy | Red Bull (Revels) Company (first | representative | 37 | 54 % |
| A Merry Dialogue between Band, Cuff, and Ruff | Anonymous | 1615 | 1615 | entertainment; academic | representative | 3 | 100 % | |
| A Merry Dialogue between Band, Cuff, and Ruff | Anonymous | 1615 | 1615 | entertainment; academic | other edition | 3 | 100 % | |
| A Midsummer Night's Dream | Shakespeare, William | 1600 | 1596 [1594-1596] | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 33 | 63 % |
| A Midsummer Night's Dream | Shakespeare, William | 1623 | 1596 [1594-1596] | comedy | Lord Chamberlain's (Hunsdon's) M | other edition | 33 | 67 % |
| A New Trick to Cheat the Devil | Davenport, Robert | 1639 | 1625 [c.1624-1639] | comedy | Queen Henrietta Maria's Men (?); | representative | 40 | 35 % |
| A New Way to Pay Old Debts | Massinger, Philip | 1633 | 1625 | comedy | Queen Henrietta Maria's Men | representative | 40 | 60 % |
| A New Wonder, A Woman Never Vexed | Heywood, Thomas / Rowley, William | 1632 | 1611 [1611-1614] | comedy | Unknown | representative | 45 | 51 % |
| A Play of Love | Heywood, John | 1534 | 1534 [1533-1534] | not in BritDrama | representative | 26 | 69 % | |
| A Shoemaker a Gentleman | Rowley, William | 1638 | 1608 [1607-1609] | romance | Prince Charles's Men (first) | representative | 40 | 82 % |
| A Tale of a Tub | Jonson, Ben | 1640 | 1633 [licensed for stage, May 7] | comedy | Queen Henrietta Maria's Men | representative | 43 | 28 % |
| A Trick to Catch the Old One | Middleton, Thomas | 1608 | 1605 | comedy | Children of Paul's (second) | representative | 36 | 41 % |
| A Woman Is a Weathercock | Field, Nathan | 1612 | 1609 [1609-1610] | comedy | Children of the Queens Revels (C | representative | 32 | 59 % |
| A Woman Killed with Kindness | Heywood, Thomas | 1607 | 1603 [Feb 12-Mar 6, payment] | tragedy | Worcester's Men | representative | 33 | 67 % |
| A Yorkshire Tragedy | Middleton, Thomas | 1608 | 1606 [1605-1608] | tragedy | King's Men | representative | 11 | 36 % |
| Abraham's Sacrifice | Golding, Arthur / Beza, Theodore | 1577 | 1575 | biblical play | representative | 16 | 88 % | |
| Adrasta, or The Woman's Spleen and Love's Conquest | Jones, John | 1635 | 1635 | tragicomedy | representative | 47 | 43 % | |
| Agamemnon (Seneca's Eighth Tragedy) | Seneca, Lucius Annaeus / Studley, John | 1566 | 1566 | tragedy | representative | 28 | 47 % | |
| Agamemnon (Seneca's Eighth Tragedy) | Seneca, Lucius Annaeus / Studley, John | 1581 | 1566 | tragedy | other edition | 28 | 39 % | |
| Aglaura | Suckling, John | 1638 | 1637 | not in BritDrama | representative | 30 | 60 % | |
| Alaham | Greville, Fulke | 1633 | 1600 [c.1598-c.1600] | tragedy | representative | 43 | 69 % | |
| Albertus Wallenstein | Glapthorne, Henry | 1639 | 1634 [1634-1639] [incorrect] | not in BritDrama | representative | 21 | 66 % | |
| Albion Knight | Anonymous | 1566 | 1537 [c.1537-1566] | moral | representative | 6 | 100 % | |
| Albion's Triumph | Townshend, Aurelian | 1631 | 1632 [Jan 8] | masque | representative | 4 | 75 % | |
| Albovine, King of the Lombards | Davenant, William | 1629 | 1628 [1626-1629] | tragedy | Unacted | representative | 39 | 82 % |
| Albumazar | Tomkis, Thomas | 1615 | 1615 [Mar 9] | comedy | representative | 43 | 77 % | |
| All Fools | Chapman, George | 1605 | 1601 | comedy | Children of the Queen's Revels | representative | 38 | 58 % |
| All for Money | Lupton, Thomas | 1578 | 1577 [1559-1577] | moral | representative | 32 | 44 % | |
| All's Lost by Lust | Rowley, William | 1633 | 1619 [c.1619-1620(?)] | tragedy | Prince Charles's Men (first) | representative | 33 | 61 % |
| All's Well That Ends Well | Shakespeare, William / Middleton, Thomas | 1623 | 1603 [1603-1604] | tragicomedy | King's Men | representative | 46 | 50 % |
| Alphonsus, King of Aragon | Greene, Robert | 1599 | 1587 [1587-1588] | romance | Queen Elizabeth's Men (?) | representative | 22 | 77 % |
| Amends for Ladies | Field, Nathan | 1618 | 1611 [c.1610-1611] | comedy | Children of the Queen's Revels | representative | 36 | 69 % |
| Aminta | Tasso, Torquato / Reynolds, Henry | 1628 | 1628 | pastoral | representative | 33 | 58 % | |
| Amphrisa, or The Forsaken Shepherdess (Polopaea and Alope) | Heywood, Thomas | 1637 | 1635 | pastoral | representative | 5 | 59 % | |
| Amyntas, or The Impossible Dowry | Randolph, Thomas | 1638 | 1630 [licensed for stage, Nov 26] | pastoral | King's Revels Company | representative | 42 | 31 % |
| Andria (The Woman from Andros) | Terence (Publius Terentius Afer)Kyffin, | 1588 | 1588 | comedy | representative | 31 | 48 % | |
| Antigone, the Theban Princess | May, Thomas | 1631 | 1627 [1627-1631] | tragedy | representative | 23 | 40 % | |
| Antonio and Mellida | Marston, John | 1602 | 1602 | comedy | Children of Paul's (second) | representative | 29 | 62 % |
| Antonio's Revenge (2 Antonio and Mellida) | Marston, John | 1602 | 1602 | tragedy | Children of Paul's (second) | representative | 29 | 48 % |
| Antonius (Antony) | Herbert, Mary Sidney / Garnier, RobertSi | 1595 | 1590 | tragedy | representative | 29 | 38 % | |
| Antony and Cleopatra | Shakespeare, William | 1623 | 1607 [c.1606-1608] | tragedy | King's Men | representative | 48 | 75 % |
| Apollo and Daphne | Heywood, Thomas | 1637 | 1635 | classical legend or myth | representative | 7 | 59 % | |
| Apollo Shroving | Hawkins, William | 1627 | 1627 [Feb 6] | comedy | representative | 46 | 22 % | |
| Appius and Virginia | B., R. | 1575 | 1564 [1559-1567] | tragedy | representative | 15 | 80 % | |
| Arches of Triumph (The Royal Entry of King James I into London) | Dekker, Thomas / Jonson, Ben / Middleton | 1604 | 1604 [Mar 15] | entertainment; royal ent | representative | 6 | 82 % | |
| Aristippus, or The Jovial Philosopher | Randolph, Thomas | 1630 | 1626 [1625-1626] | entertainment; academic | representative | 18 | 56 % | |
| As You Like It | Shakespeare, William | 1623 | 1599 [1598-1599] | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 44 | 43 % |
| Bartholomew Fair | Jonson, Ben | 1631 | 1614 [Oct 31] | comedy | Lady Elizabeth's Men | representative | 72 | 71 % |
| Blurt, Master Constable, or The Spaniard's Night Walk | Anonymous | 1602 | 1601 [1601-1602] | romance | Children of Paul's (second) | representative | 34 | 42 % |
| Britannia Triumphans (Britain Triumphing) | Davenant, William | 1637 | 1638 [licensed for performance, Jan 8] | not in BritDrama | representative | 7 | 14 % | |
| Britannia's Honor | Dekker, Thomas | 1628 | 1628 [Oct 29] | civic play; pageant | representative | 3 | 100 % | |
| Bussy D'Ambois | Chapman, George | 1607 | 1607 | tragedy | Children of Paul's (second) | representative | 41 | 78 % |
| Caesar and Pompey (The Wars of Caesar and Pompey) | Chapman, George | 1631 | 1605 [1602-1605; Act 2, sc. 1 written 1610-1611(?)] | tragedy | Unacted (?) | representative | 34 | 59 % |
| Cambises, King of Persia | Preston, Thomas | 1570 | 1561 [c.1558-1569] | tragedy | representative | 26 | 69 % | |
| Campaspe (Alexander, Campaspe, and Diogenes) | Lyly, John | 1584 | c.1583 | comedy | Children of the Chapel (first) ( | representative | 25 | 73 % |
| Catiline His Conspiracy | Jonson, Ben | 1611 | 1611 | tragedy | King's Men | representative | 57 | 12 % |
| Catiline His Conspiracy | Jonson, Ben | 1616 | 1611 | tragedy | King's Men | other edition | 37 | 8 % |
| Chabot, Admiral of France | Chapman, George / Shirley, James | 1639 | 1612 [1611-1613; revised by Shirley and licensed for stage, Apr 29, 1635] | tragedy | Unknown | representative | 38 | 92 % |
| Changes, or Love in a Maze | Shirley, James | 1632 | 1632 [licensed for stage, Jan 10] | comedy | King's Revels Company (?); Princ | representative | 39 | 69 % |
| Chester's Triumph (St George's Day Entertainment) | Amory, Robert / Davies, Richard | 1610 | 1610 [Apr 23] | civic play; pageant | representative | 7 | 57 % | |
| Chloridia: Rites to Chloris and Her Nymphs | Jonson, Ben | 1631 | 1631 [Feb 22] | masque | representative | 3 | 0 % | |
| Chloridia: Rites to Chloris and Her Nymphs | Jonson, Ben | 1641 | 1631 [Feb 22] | masque | other edition | 3 | 35 % | |
| Christmas His Masque (Christmas His Show) | Jonson, Ben | 1641 | 1616 [Christmas; January 1617] | masque | representative | 4 | 50 % | |
| Chruso-Thriambos: The Triumphs of Gold | Munday, Anthony | 1611 | 1611 [Oct 29] | civic play; pageant | representative | 6 | 100 % | |
| Chrysanaleia: The Golden Fishing, or Honor of Fishmongers | Munday, Anthony | 1616 | 1616 [Oct 29] | civic play; pageant | representative | 3 | 100 % | |
| Civitatis Amor (Water Pageant for Prince Charles: London and Neptune, | Middleton, Thomas | 1616 | 1616 [Nov 4] | entertainment; royal ent | representative | 2 | 100 % | |
| Cleopatra | Daniel, Samuel | 1594 | 1593 [revised 1607] | tragedy | representative | 26 | 42 % | |
| Cleopatra | Daniel, Samuel | 1599 | 1593 [revised 1607] | tragedy | other edition | 27 | 63 % | |
| Cleopatra, Queen of Egypt | May, Thomas | 1639 | 1626 | tragedy | Unknown | representative | 29 | 51 % |
| Coelum Britannicum (The British Heaven) | Carew, Thomas | 1634 | 1634 [Feb 18] | masque | representative | 15 | 73 % | |
| Coelum Britannicum (The British Heaven) | Carew, Thomas | 1640 | 1634 [Feb 18] | masque | other edition | 15 | 66 % | |
| Comus (The Masque at Ludlow Castle) | Milton, John | 1637 | 1634 [Sep 29] | pastoral; masque | representative | 15 | 40 % | |
| Coriolanus | Shakespeare, William | 1623 | 1608 | tragedy | King's Men | representative | 54 | 31 % |
| Cornelia (Pompey the Great His Fair Cornelia's Tragedy) | Garnier, Robert / Kyd, Thomas | 1594 | 1594 | tragedy | representative | 31 | 35 % | |
| Covent Garden | Nabbes, Thomas | 1638 | 1633 | comedy | Queen Henrietta Maria's Men | representative | 35 | 72 % |
| Croesus | Alexander, William | 1604 | 1604 | tragedy | representative | 46 | 74 % | |
| Croesus | Alexander, William | 1637 | 1604 | tragedy | other edition | 46 | 65 % | |
| Cupid's Revenge | Beaumont, Francis / Fletcher, John | 1615 | 1608 [c.1607-1608] | tragedy | Children of the Queen's Revels | representative | 41 | 64 % |
| Cupid's Whirligig | Sharpham, Edward | 1607 | 1607 | comedy | Children of the King's Revels | representative | 46 | 63 % |
| Cymbeline, King of Britain | Shakespeare, William | 1623 | 1609 [c.1608-1611] | romance | King's Men | representative | 54 | 63 % |
| Cynthia's Revels, or The Fountain of Self-Love | Jonson, Ben | 1616 | 1600 [1600-1601] | satire | Children of the Chapel (second) | representative | 66 | 65 % |
| Cynthia's Revenge, or Maenander's Ecstasy | Stephens, John | 1613 | 1613 | tragedy | representative | 67 | 68 % | |
| Damon and Pithias | Edwards, Richard | 1571 | 1564 [1564-1568] | comedy | Children of the Chapel (first) ( | representative | 37 | 73 % |
| Darius | Alexander, William | 1604 | 1603 | tragedy | representative | 34 | 77 % | |
| Darius | Alexander, William | 1637 | 1603 | tragedy | other edition | 35 | 80 % | |
| Descensus Astraeae (The Descent of Astraea) | Peele, George | 1591 | 1591 [Oct 29] | civic play; pageant | representative | 2 | 100 % | |
| Dido, Queen of Carthage | Marlowe, Christopher / Nashe, Thomas | 1594 | 1586 [c.1585-1586; possibly 1591] | tragedy | Children of the Chapel (first) ( | representative | 27 | 41 % |
| Doctor Faustus | Anonymous / Marlowe, Christopher | 1604 | 1592 [1592-1593] | tragedy | Unknown | representative | 23 | 57 % |
| Eastward Ho | Chapman, George / Jonson, Ben / Marston, | 1605 | 1605 | comedy | Children of the Queen's Revels | representative | 47 | 54 % |
| Edward the First | Peele, George | 1593 | 1591 [1590-1593] | history | Unknown | representative | 43 | 51 % |
| Edward the Second | Marlowe, Christopher | 1594 | 1592 [1591-1593] | history | Pembroke's Men | representative | 41 | 51 % |
| Endymion, the Man in the Moon | Lyly, John | 1591 | 1588 [Feb 2(?)] | comedy | Children of Paul's (first) | representative | 38 | 94 % |
| Englishmen for My Money, or A Woman Will Have Her Will | Haughton, William | 1616 | 1598 [Feb 18-May 9, payment] | comedy | Admiral's (Nottingham's) Men | representative | 43 | 88 % |
| Enough Is as Good as a Feast | Wager, William | 1570 | 1560 [c.1559-c.1570] | moral | representative | 29 | 48 % | |
| Epicene, or The Silent Woman | Jonson, Ben | 1616 | 1609 | comedy | Children of the Queen's Revels | representative | 58 | 53 % |
| Epicene, or The Silent Woman | Jonson, Ben | 1620 | 1609 | comedy | Children of the Queen's Revels | other edition | 52 | 58 % |
| Every Man in His Humor | Jonson, Ben | 1601 | 1598 | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 52 | 65 % |
| Every Man in His Humor | Jonson, Ben | 1616 | 1598 | comedy | Lord Chamberlain's (Hunsdon's) M | other edition | 53 | 75 % |
| Every Man Out of His Humor | Jonson, Ben | 1600 | 1599 | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 74 | 57 % |
| Every Man Out of His Humor | Jonson, Ben | 1616 | 1599 | comedy | Lord Chamberlain's (Hunsdon's) M | other edition | 74 | 71 % |
| Every Woman in Her Humor | Anonymous | 1609 | 1607 [1599-1608] | comedy | Children of the King's Revels | representative | 35 | 69 % |
| Fair Em, the Miller's Daughter of Manchester | Anonymous | 1591 | 1590 [c.1589-1591] | comedy | Derby's (Strange's) Men | representative | 23 | 82 % |
| Fedele and Fortunia (Two Italian Gentlemen) | Pasqualigo, Luigi / Munday, Anthony | 1585 | 1584 [1579-1584] | comedy | Children of the Chapel (first) ( | representative | 30 | 76 % |
| Ferrex and Porrex (Gorboduc) | Norton, Thomas / Sackville, Thomas | 1565 | 1562 [Jan 18] | tragedy | representative | 29 | 73 % | |
| Ferrex and Porrex (Gorboduc) | Norton, Thomas / Sackville, Thomas | 1570 | 1562 [Jan 18] | tragedy | other edition | 29 | 72 % | |
| For the Honor of Wales | Jonson, Ben | 1641 | 1618 [Feb 17] | masque | representative | 7 | 100 % | |
| Friar Bacon and Friar Bongay | Greene, Robert | 1594 | 1589 [1586-1590] | comedy | Queen Elizabeth's Men | representative | 32 | 47 % |
| Friar Bacon and Friar Bongay | Greene, Robert | 1630 | 1589 [1586-1590] | comedy | Queen Elizabeth's Men | other edition | 33 | 42 % |
| Fuimus Troes (The True Trojans) | Fisher, Jasper | 1633 | 1625 [c.1611-1633] | history | representative | 34 | 64 % | |
| Gallathea | Lyly, John | 1592 | 1585 [1583-1585] | comedy | Children of Paul's (first) (?) | representative | 27 | 48 % |
| Gammer Gurton's Needle | Stevenson, William | 1575 | 1553 [c.1552-1563] | comedy | representative | 29 | 86 % | |
| George a Green, the Pinner of Wakefield | Greene, Robert | 1599 | 1590 [1587-1591] | romance | Sussex's Men | representative | 16 | 88 % |
| Greene's Tu Quoque, or The City Gallant | Cooke, John | 1614 | 1611 | comedy | Queen Anne's Men | representative | 47 | 53 % |
| Hamlet, Prince of Denmark | Shakespeare, William | 1603 | 1601 [1600-1601] | tragedy | Lord Chamberlain's (Hunsdon's) M | other edition | 32 | 84 % |
| Hamlet, Prince of Denmark | Shakespeare, William | 1623 | 1601 [1600-1601] | tragedy | Lord Chamberlain's (Hunsdon's) M | representative | 55 | 75 % |
| Hannibal and Scipio | Nabbes, Thomas | 1637 | 1635 | tragedy | Queen Henrietta Maria's Men | representative | 31 | 78 % |
| Hans Beer-Pot (See Me and See Me Not) | Belchier, Dabridgcourt | 1618 | 1618 | comedy | representative | 26 | 78 % | |
| Henry the Eighth (All Is True) | Shakespeare, William / Fletcher, John | 1623 | 1613 [Jun] | history | King's Men | representative | 48 | 69 % |
| Henry the Fifth | Shakespeare, William | 1600 | 1599 | history | Lord Chamberlain's (Hunsdon's) M | representative | 25 | 44 % |
| Henry the Fifth | Shakespeare, William | 1623 | 1599 | history | Lord Chamberlain's (Hunsdon's) M | other edition | 51 | 59 % |
| Hercules Furens (Mad Hercules) (Seneca's First Tragedy) | Heywood, Jasper / Seneca, Lucius Annaeus | 1561 | 1561 | tragedy; literary play | representative | 28 | 25 % | |
| Hercules Furens (Mad Hercules) (Seneca's First Tragedy) | Heywood, Jasper / Seneca, Lucius Annaeus | 1581 | 1561 | tragedy; literary play | other edition | 28 | 32 % | |
| Hercules Oetaeus (Hercules on Mount Oeta) (Seneca's Tenth Tragedy) | Seneca, Lucius Annaeus / Studley, John | 1581 | 1566 | tragedy | representative | 44 | 16 % | |
| Herod and Antipater | Markham, Gervase / Sampson, William | 1622 | 1622 [c.1619-1622] | tragedy | Red Bull (Revels) Company (first | representative | 44 | 55 % |
| Himatia-Poleos: The Triumphs of Old Drapery | Munday, Anthony | 1614 | 1614 [Oct 29] | civic play; pageant | representative | 3 | 100 % | |
| Hippolytus (Seneca's Fourth Tragedy) | Seneca, Lucius Annaeus / Studley, John | 1581 | 1567 | tragedy | representative | 30 | 72 % | |
| Histriomastix, or The Player Whipped | Marston, John | 1610 | 1599 [1598-1599] | moral | Unknown | representative | 25 | 32 % |
| Hoffman, or A Revenge for a Father | Chettle, Henry | 1631 | 1602 [Dec 29, payment] | tragedy | Admiral's (Nottingham's) Men | representative | 39 | 46 % |
| Holland's Leaguer | Marmion, Shackerley | 1632 | 1631 [Dec] | comedy | Prince Charles's Men (second) | representative | 41 | 63 % |
| How a Man May Choose a Good Wife from a Bad | Anonymous | 1602 | 1602 [c.1601-1602] | comedy | Worcester's Men | representative | 43 | 70 % |
| Humor Out of Breath | Day, John | 1608 | 1608 [1607-1608] | comedy | Children of the King's Revels | representative | 28 | 65 % |
| Hyde Park | Shirley, James | 1637 | 1632 [licensed for stage, Apr 20] | comedy | Queen Henrietta Maria's Men | representative | 32 | 75 % |
| Hymen's Triumph | Daniel, Samuel | 1615 | 1614 [Feb 2] | pastoral; tragicomedy | representative | 31 | 88 % | |
| Hymenaei, or the Solemnities of Masque and Barriers at a Marriage (Tru | Jonson, Ben | 1606 | 1606 [Jan 5] | masque | representative | 8 | 100 % | |
| Hymenaei, or the Solemnities of Masque and Barriers at a Marriage (Tru | Jonson, Ben | 1616 | 1606 [Jan 5] | masque | other edition | 4 | 77 % | |
| If It Be Not Good, the Devil Is in It (If This Be Not a Good Play, the | Dekker, Thomas | 1612 | 1611 [1611-1612] | comedy | Queen Anne's Men | representative | 44 | 43 % |
| Il Pastor Fido, or The Faithful Shepherd | Dymoke, Tailboys / Guarini, Giovanni Bat | 1602 | 1601 | pastoral | representative | 71 | 66 % | |
| Impatient Poverty | Anonymous | 1561 | 1547 [c.1547-1558] | moral | representative | 14 | 50 % | |
| Imperiale | Freeman, Ralph | 1639 | 1639 | not in BritDrama | representative | 28 | 71 % | |
| Jack Drum's Entertainment (Katherine and Pasquil) | Marston, John | 1601 | 1600 | comedy | Children of Paul's (second) | representative | 32 | 63 % |
| Jack Straw | Anonymous | 1593 | 1591 [1590-1593] | history | Unknown | representative | 16 | 49 % |
| Jacob and Esau | Udall, Nicholas | 1568 | 1554 [c.1550-1557] | biblical play | representative | 34 | 59 % | |
| Jocasta | Gascoigne, George / Kinwelmershe, Franci | 1573 | 1566 | tragedy | representative | 44 | 66 % | |
| Jocasta | Gascoigne, George / Kinwelmershe, Franci | 1575 | 1566 | tragedy | other edition | 68 | 65 % | |
| Julius Caesar | Alexander, William | 1607 | 1607 | tragedy | representative | 49 | 34 % | |
| Julius Caesar | Shakespeare, William | 1623 | 1599 [1598-1599] | tragedy | Lord Chamberlain's (Hunsdon's) M | representative | 39 | 39 % |
| Julius Caesar | Alexander, William | 1637 | 1607 | tragedy | other edition | 50 | 44 % | |
| Jupiter and Io | Heywood, Thomas | 1637 | 1635 | classical legend or myth | representative | 11 | 37 % | |
| King John | Shakespeare, William | 1623 | 1591 [1590-1591] | history | Lord Chamberlain's (Hunsdon's) M | representative | 41 | 39 % |
| King Lear | Shakespeare, William | 1608 | 1605 [1605-1606] | tragedy | King's Men | representative | 49 | 63 % |
| King Lear | Shakespeare, William | 1623 | 1605 [1605-1606] | tragedy | King's Men | other edition | 46 | 76 % |
| Law Tricks | Day, John | 1608 | 1604 [1604-1607] | comedy | Children of the Queen's Revels | representative | 31 | 64 % |
| Like Will to Like (Quoth the Devil to the Collier) | Fulwell, Ulpian | 1587 | 1568 [1562-1568] | moral | representative | 23 | 48 % | |
| Lingua, or The Combat of the Tongue and the Five Senses for Superiorit | Tomkis, Thomas | 1607 | 1607 [1602-1607] | comedy; allegory | representative | 51 | 73 % | |
| Locrine, the Eldest Son of King Brutus | S., W. | 1595 | c.1594 | tragedy | Unknown | representative | 31 | 62 % |
| Lodovic Sforza, Duke of Milan | Gomersall, Robert | 1628 | 1628 [1622-1628] | tragedy | representative | 32 | 38 % | |
| Lodovic Sforza, Duke of Milan | Gomersall, Robert | 1633 | 1628 [1622-1628] | tragedy | other edition | 33 | 60 % | |
| Londini Artium et Scientiarum Scaturigo, or London's Fountain of Arts | Heywood, Thomas | 1632 | 1632 [Oct 29] | civic play; pageant | representative | 3 | 67 % | |
| Londini Emporia (London's Markets) | Heywood, Thomas | 1633 | 1633 [Oct 29] | civic play; pageant | representative | 3 | 70 % | |
| Londini Speculum, or London's Mirror | Heywood, Thomas | 1637 | 1637 [Oct 30] | not in BritDrama | representative | 3 | 67 % | |
| Londini Status Pacatus, or London's Peaceable Estate | Heywood, Thomas | 1639 | 1639 [Oct 29] | not in BritDrama | representative | 4 | 100 % | |
| London's Ius Honorarium (London's Law of Honor) | Heywood, Thomas | 1631 | 1631 [Oct 29] | civic play; pageant | representative | 3 | 34 % | |
| London's Love to Prince Henry (Water Pageant of Corinea and Amphion) | Munday, Anthony | 1610 | 1610 [May 31] | entertainment; royal ent | representative | 1 | 100 % | |
| London's Tempe, or The Field of Happiness | Dekker, Thomas | 1629 | 1629 [Oct 29] | civic play; pageant | representative | 3 | 68 % | |
| Look About You | Anonymous | 1600 | 1599 [c.1597-1599] | comedy | Admiral's (Nottingham's) Men | representative | 50 | 12 % |
| Love Crowns the End | Tatham, John | 1640 | 1632 | pastoral | representative | 9 | 66 % | |
| Love's Cruelty | Shirley, James | 1640 | 1631 [licensed for stage, Nov 14] | tragedy | Queen Henrietta Maria's Men | representative | 33 | 31 % |
| Love's Labor's Lost | Shakespeare, William | 1598 | c.1595 | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 37 | 67 % |
| Love's Labor's Lost | Shakespeare, William | 1623 | c.1595 | comedy | Lord Chamberlain's (Hunsdon's) M | other edition | 42 | 81 % |
| Love's Metamorphosis | Lyly, John | 1601 | 1590 [c.1588-1590] | pastoral; comedy | Children of Paul's (first) | representative | 21 | 23 % |
| Love's Riddle | Cowley, Abraham | 1638 | 1633 [c.1633-1636] | pastoral | representative | 41 | 56 % | |
| Love's Sacrifice | Ford, John | 1633 | 1632 [1632-1633] | tragedy | Queen Henrietta Maria's Men | representative | 41 | 29 % |
| Love's Triumph Through Callipolis | Jonson, Ben | 1630 | 1631 [Jan 9] | masque | representative | 2 | 50 % | |
| Love's Triumph Through Callipolis | Jonson, Ben | 1641 | 1631 [Jan 9] | masque | other edition | 2 | 100 % | |
| Lovers Made Men (The Masque at Lord Hay's) | Jonson, Ben | 1617 | 1617 [Feb 22] | masque | representative | 2 | 50 % | |
| Lovers Made Men (The Masque at Lord Hay's) | Jonson, Ben | 1641 | 1617 [Feb 22] | masque | other edition | 2 | 50 % | |
| Luminalia, or The Festival of Light | Davenant, William | 1637 | 1638 [Feb 6] | not in BritDrama | representative | 3 | 100 % | |
| Lusty Juventus | Wever, R. | 1565 | 1550 [1547-1553] | moral | representative | 18 | 45 % | |
| Macbeth | Shakespeare, William / Middleton, Thomas | 1623 | 1606 | tragedy | King's Men | representative | 33 | 79 % |
| Master Arden of Faversham in Kent | Anonymous / Kyd, Thomas / Shakespeare, W | 1592 | 1591 [1588-1592] | tragedy | Pembroke's Men (?) | representative | 40 | 82 % |
| Match Me in London | Dekker, Thomas | 1631 | 1611 [c.1611-c.1613; re-licensed for stage, Aug 21, 1623] | tragicomedy | Red Bull (Revels) Company (first | representative | 36 | 69 % |
| May Day | Chapman, George | 1611 | 1602 [1601-1602] | comedy | Children of the Queen's Revels | representative | 45 | 62 % |
| Measure for Measure | Shakespeare, William / Middleton, Thomas | 1623 | 1604 | tragicomedy | King's Men | representative | 43 | 26 % |
| Medea (Seneca's Seventh Tragedy) | Seneca, Lucius Annaeus / Studley, John | 1566 | 1566 | tragedy | representative | 30 | 59 % | |
| Medea (Seneca's Seventh Tragedy) | Seneca, Lucius Annaeus / Studley, John | 1581 | 1566 | tragedy | other edition | 30 | 66 % | |
| Mercury Vindicated from the Alchemists at Court | Jonson, Ben | 1616 | 1616 [Jan 1] | masque | representative | 5 | 100 % | |
| Messalina, the Roman Empress | Richards, Nathaniel | 1640 | 1635 [1634-1636] | tragedy | King's Revels Company | representative | 31 | 54 % |
| Metropolis Coronata: The Triumphs of Ancient Drapery | Munday, Anthony | 1615 | 1615 [Oct 30] | civic play; pageant | representative | 4 | 53 % | |
| Michaelmas Term | Middleton, Thomas | 1607 | 1606 [1604-1606] | comedy | Children of Paul's (second) | representative | 39 | 87 % |
| Microcosmus | Nabbes, Thomas | 1637 | 1637 | masque | King's Revels Company (?) | representative | 21 | 67 % |
| Midas | Lyly, John | 1592 | 1589 | comedy | Children of Paul's (first) | representative | 30 | 54 % |
| Monsieur Thomas (Father's Own Son) | Fletcher, John | 1639 | 1615 [1610-c.1616] | comedy | Unknown | representative | 42 | 69 % |
| Monuments of Honor | Webster, John | 1624 | 1624 [Oct 29] | civic play; pageant | representative | 2 | 100 % | |
| Mortimer His Fall | Jonson, Ben | 1640 | 1637 [1595-1637] | not in BritDrama | representative | 1 | 100 % | |
| Mother Bombie | Lyly, John | 1594 | 1591 [1587-1591] | comedy | Children of Paul's (first) | representative | 34 | 58 % |
| Mucedorus (and Amadine) | Anonymous | 1598 | 1590 [1588-1598; revised 1610] | romance | Unknown | representative | 22 | 40 % |
| Much Ado About Nothing | Shakespeare, William | 1600 | 1598 | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 42 | 50 % |
| Much Ado About Nothing | Shakespeare, William | 1623 | 1598 | comedy | Lord Chamberlain's (Hunsdon's) M | other edition | 42 | 67 % |
| Mustapha | Greville, Fulke | 1633 | 1596 [c.1594-c.1596] | tragedy | representative | 42 | 31 % | |
| Neptune's Triumph for the Return of Albion | Jonson, Ben | 1624 | 1624 [Jan 6 (projected)] | masque | representative | 4 | 24 % | |
| Neptune's Triumph for the Return of Albion | Jonson, Ben | 1641 | 1624 [Jan 6 (projected)] | masque | other edition | 6 | 84 % | |
| Nero (Piso's Conspiracy) | Anonymous | 1624 | 1619 | tragedy | Unknown | representative | 35 | 40 % |
| News from the New World Discovered in the Moon | Jonson, Ben | 1641 | 1620 [Jan 7] | masque | representative | 6 | 100 % | |
| Nice Wanton | Anonymous | 1560 | 1550 [1547-1553] | moral | representative | 10 | 49 % | |
| Nobody and Somebody | Anonymous | 1606 | 1605 [1603-1606] | history; satire | Queen Anne's Men | representative | 31 | 81 % |
| Northward Ho | Dekker, Thomas / Webster, John | 1607 | 1605 | comedy | Children of Paul's (second) | representative | 42 | 67 % |
| Octavia (Seneca's Ninth Tragedy) | Seneca, Lucius Annaeus / Nuce, ThomasPse | 1566 | 1566 | tragedy | representative | 23 | 74 % | |
| Octavia (Seneca's Ninth Tragedy) | Seneca, Lucius Annaeus / Nuce, ThomasPse | 1581 | 1566 | tragedy | other edition | 23 | 78 % | |
| Oedipus (Seneca's Fifth Tragedy) | Seneca, Lucius Annaeus / Neville, Alexan | 1581 | 1563 | tragedy | representative | 26 | 54 % | |
| Old Fortunatus | Dekker, Thomas | 1600 | 1599 [Nov 9-30, payment] | romance | Admiral's (Nottingham's) Men | representative | 48 | 54 % |
| Orestes | Goffe, Thomas | 1633 | 1617 [c.1613-c.1618] | tragedy | representative | 38 | 53 % | |
| Orlando Furioso | Greene, Robert | 1594 | 1591 | romance | Queen Elizabeth's Men (on tour); | representative | 22 | 50 % |
| Othello, the Moor of Venice | Shakespeare, William | 1622 | 1604 [c.1603-1604] | tragedy | King's Men | other edition | 50 | 80 % |
| Othello, the Moor of Venice | Shakespeare, William | 1623 | 1604 [c.1603-1604] | tragedy | King's Men | representative | 52 | 75 % |
| Pan's Anniversary, or The Shepherds' Holiday | Jonson, Ben | 1641 | 1620 [Jun 19(?)] [incorrect] | pastoral; masque | representative | 4 | 0 % | |
| Parasitaster, or The Fawn | Marston, John | 1606 | 1604 | comedy | Children of the Queen's Revels | representative | 45 | 73 % |
| Patient Grissel | Dekker, Thomas / Chettle, Henry / Haught | 1603 | 1600 [Oct 16-Dec 29, payment] | comedy | Admiral's (Nottingham's) Men | representative | 40 | 85 % |
| Pericles, Prince of Tyre | Shakespeare, William / Wilkins, George | 1609 | 1608 [1606-1608] | romance | King's Men | representative | 36 | 86 % |
| Philaster, or Love Lies a-Bleeding | Beaumont, Francis / Fletcher, John | 1620 | 1609 [May(?)] | tragicomedy | King's Men | representative | 40 | 67 % |
| Phillis and Amyntas (Ivychurch) (Amyntas' Pastoral) | Fraunce, Abraham / Tasso, Torquato | 1591 | 1591 | pastoral | representative | 30 | 40 % | |
| Pleasure Reconciled to Virtue | Jonson, Ben | 1641 | 1618 [Jan 6] | masque | representative | 5 | 33 % | |
| Poetaster, or The Arraignment | Jonson, Ben | 1602 | 1601 | comedy | Children of the Chapel (second) | representative | 50 | 28 % |
| Poetaster, or The Arraignment | Jonson, Ben | 1616 | 1601 | comedy | Children of the Chapel (second) | other edition | 57 | 40 % |
| Porta Pietatis, or The Port or Harbor of Piety | Heywood, Thomas | 1638 | 1638 [Oct 29] | not in BritDrama | representative | 3 | 32 % | |
| Prince Henry's Barriers (The Lady of the Lake) (Merlin and Meliadus) | Jonson, Ben | 1616 | 1610 [Jan 6] | entertainment; tournamen | representative | 1 | 100 % | |
| Ralph Roister Doister | Udall, Nicholas | 1566 | 1552 [1552-1554(?)] | comedy | representative | 39 | 85 % | |
| Ram Alley, or Merry Tricks | Barry, Lording | 1611 | 1608 [1608-1610(?)] | comedy | Children of the King's Revels | representative | 42 | 48 % |
| Rhodon and Iris | Knevet, Ralph | 1631 | 1631 [May 3] | pastoral | representative | 27 | 44 % | |
| Richard the Second | Shakespeare, William | 1597 | 1595 | tragedy; history | Lord Chamberlain's (Hunsdon's) M | representative | 41 | 71 % |
| Richard the Second | Shakespeare, William | 1623 | 1595 | tragedy; history | Lord Chamberlain's (Hunsdon's) M | other edition | 43 | 67 % |
| Richard the Third | Shakespeare, William | 1597 | 1592 [1591-1592] | tragedy; history | Derby's (Strange's) Men (?) | other edition | 54 | 67 % |
| Richard the Third | Shakespeare, William | 1623 | 1592 [1591-1592] | tragedy; history | Derby's (Strange's) Men (?) | representative | 56 | 64 % |
| Robin Hood (Robin Hood and the Friar) (Robin Hood and the Potter) | Anonymous | 1590 | 1560 | romance; folk romance | representative | 3 | 35 % | |
| Romeo and Juliet | Shakespeare, William | 1597 | 1596 [1594-1596] | tragedy | Lord Chamberlain's (Hunsdon's) M | other edition | 35 | 68 % |
| Romeo and Juliet | Shakespeare, William | 1623 | 1596 [1594-1596] | tragedy | Lord Chamberlain's (Hunsdon's) M | representative | 48 | 65 % |
| Rule a Wife and Have a Wife | Fletcher, John | 1640 | 1624 [licensed for stage, Oct 19] | comedy | King's Men | representative | 37 | 62 % |
| Salmacida Spolia | Davenant, William | 1639 | 1640 [Jan 21] | not in BritDrama | representative | 3 | 100 % | |
| Sappho and Phao | Lyly, John | 1584 | c.1583 | comedy | Children of the Chapel (first) ( | representative | 27 | 56 % |
| Satiromastix, or The Untrussing of the Humorous Poet | Dekker, Thomas | 1602 | 1601 | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 44 | 59 % |
| Sejanus His Fall | Jonson, Ben | 1616 | 1603 | tragedy | King's Men | representative | 52 | 23 % |
| Sicelides (The Sicilians) | Fletcher, Phineas | 1631 | 1615 [Mar 13] | pastoral | representative | 41 | 64 % | |
| Sicily and Naples, or The Fatal Union | Harding, Samuel | 1640 | 1640 | not in BritDrama | representative | 38 | 58 % | |
| Siderothriambos, or Steel and Iron Triumphing | Munday, Anthony | 1618 | 1618 [Oct 29] | civic play; pageant | representative | 2 | 100 % | |
| Sir Giles Goosecap | Chapman, George | 1606 | 1602 [Sep 18] | comedy | Children of the Chapel (second) | representative | 41 | 29 % |
| Soliman and Perseda (Zulziman) | Anonymous | 1592 | 1592 [c.1589-1592] | tragedy | Unknown | representative | 35 | 72 % |
| Summer's Last Will and Testament | Nashe, Thomas | 1600 | 1592 | comedy | Unknown | representative | 34 | 69 % |
| Supposes | Gascoigne, George / Ariosto, Ludovico | 1573 | 1566 | comedy | representative | 36 | 72 % | |
| Supposes | Gascoigne, George / Ariosto, Ludovico | 1575 | 1566 | comedy | other edition | 36 | 81 % | |
| Tancred and Gismund (Gismond of Salerne) | Wilmot, Robert / Hatton, Christopher / N | 1591 | 1567 [1567-1568; revised 1591] | tragedy | representative | 29 | 76 % | |
| Technogamia, or The Marriages of the Arts | Holyday, Barten | 1618 | 1618 [Feb 13] | comedy | representative | 64 | 62 % | |
| Tempe Restored (Tempe Restauratum) | Townshend, Aurelian | 1631 | 1632 [Feb 14] | masque | representative | 2 | 52 % | |
| Tes Irenes Trophaea, or The Triumphs of Peace | Squire, John | 1620 | 1620 [Oct 30] | civic play; pageant | representative | 2 | 50 % | |
| Tethys' Festival, or The Queen's Wake (Tethyos Epinicia) | Daniel, Samuel | 1610 | 1610 [Jun 5] | masque | representative | 2 | 0 % | |
| The Alchemist | Jonson, Ben | 1612 | 1610 | comedy | King's Men | representative | 53 | 55 % |
| The Alchemist | Jonson, Ben | 1616 | 1610 | comedy | King's Men | other edition | 40 | 62 % |
| The Alexandraean Tragedy | Alexander, William | 1607 | 1607 [1605-1607] | tragedy | representative | 54 | 80 % | |
| The Alexandraean Tragedy | Alexander, William | 1637 | 1607 [1605-1607] | tragedy | other edition | 54 | 87 % | |
| The Antipodes | Brome, Richard | 1640 | 1638 [1636-1638] | not in BritDrama | representative | 44 | 50 % | |
| The Arcadia | Shirley, James | 1640 | 1640 | pastoral; romance | Queen Henrietta Maria's Men | representative | 36 | 75 % |
| The Arraignment of Paris | Peele, George | 1584 | 1581 [c.1581-1584] | pastoral | Children of the Chapel (first) ( | representative | 21 | 23 % |
| The Atheist's Tragedy, or The Honest Man's Revenge | Tourneur, Cyril | 1611 | 1611 [1607-1611] | tragedy | Unknown | representative | 41 | 71 % |
| The Ball | Shirley, James | 1639 | 1632 [licensed for stage, Nov 16] | comedy | Queen Henrietta Maria's Men | representative | 35 | 71 % |
| The Battle of Alcazar | Peele, George | 1594 | 1589 [1588-1589] | tragedy | Unknown | representative | 22 | 86 % |
| The Beauty and Good Properties of Women (Calisto and Melebea) (Celesti | Rastell, John | 1525 | 1527 [c.1527-1530] | not in BritDrama | representative | 18 | 84 % | |
| The Bird in a Cage (The Beauties) | Shirley, James | 1633 | 1633 [licensed for stage, Jun 21] [incorrect] | comedy | Queen Henrietta Maria's Men | representative | 37 | 60 % |
| The Blind Beggar of Alexandria (Irus) | Chapman, George | 1598 | 1596 [Feb 12] | comedy | Admiral's (Nottingham's) Men | representative | 26 | 69 % |
| The Bloody Banquet | Dekker, Thomas / Middleton, Thomas | 1639 | 1639 [c.1617-1639] | tragedy | Queen Anne's Men (?) | representative | 28 | 64 % |
| The Bloody Brother (Rollo, Duke of Normandy) | Fletcher, John / Field, Nathan / Massing | 1639 | 1617 [revised 1627-1630] | tragedy | King's Men | representative | 39 | 57 % |
| The Bloody Brother (Rollo, Duke of Normandy) | Fletcher, John / Field, Nathan / Massing | 1640 | 1617 [revised 1627-1630] | tragedy | King's Men | other edition | 39 | 69 % |
| The Bondman (The Noble Bondman) | Massinger, Philip | 1624 | 1623 [licensed for stage, Dec 3] | tragicomedy | Lady Elizabeth's Men | representative | 40 | 85 % |
| The Brazen Age (The Age of Brass) | Heywood, Thomas | 1613 | 1611 [1610-1611] | classical legend or myth | Queen Anne's Men | representative | 40 | 40 % |
| The Bride | Nabbes, Thomas | 1640 | 1640 | not in BritDrama | Beeston's Boys | representative | 31 | 61 % |
| The Broken Heart | Ford, John | 1633 | 1630 [c.1630-1633] | tragedy | King's Men | representative | 38 | 69 % |
| The Case Is Altered | Jonson, Ben | 1609 | 1597 [1597-1598; interpolations later] | comedy | Pembroke's Men | representative | 36 | 67 % |
| The Chief Promises of God unto Man (God's Promises) | Bale, John | 1547 | 1538 | biblical play | representative | 17 | 12 % | |
| The City Match | Mayne, Jasper | 1639 | 1637 [1637-1638(?)] | comedy | King's Men | representative | 41 | 34 % |
| The Cobbler's Prophecy | Wilson, Robert | 1594 | 1590 [c.1589-1593] | moral | Queen Elizabeth's Men (?) | representative | 24 | 33 % |
| The Comedy of Errors | Shakespeare, William | 1623 | 1592 [c.1590-1593] | comedy | Pembroke's Men (?) | representative | 29 | 45 % |
| The Conceited Pedlar (The University Pedlar) | Randolph, Thomas | 1630 | 1627 [Nov 1] | entertainment; academic | representative | 8 | 100 % | |
| The Conflict of Conscience | Woodes, Nathaniel | 1581 | 1572 [1570-1581] | moral | representative | 42 | 19 % | |
| The Conspiracy (Pallantus and Eudora) | Killigrew, Henry | 1638 | 1635 [Jan 8(?)] | tragedy | King's Men | representative | 63 | 74 % |
| The Conspiracy of Charles Duke of Byron | Chapman, George | 1608 | 1608 [1607-1608] | history | Children of the Queen's Revels | representative | 33 | 79 % |
| The Constant Maid (Love Will Find Out the Way) | Shirley, James | 1640 | 1638 [1630(?)-1640] | not in BritDrama | representative | 32 | 62 % | |
| The Contention between Liberality and Prodigality | Anonymous | 1602 | 1601 [Feb 22] | moral | Children of the Chapel (second) | representative | 19 | 53 % |
| The Contention for Honor and Riches | Shirley, James | 1633 | 1631 [c.1625-1632; adapted 1658] | moral | representative | 11 | 90 % | |
| The Coronation | Shirley, James | 1640 | 1635 [licensed for stage, Feb 6] | tragicomedy | Queen Henrietta Maria's Men | representative | 33 | 88 % |
| The Coronation Triumph (The Royal Entry of King James I into London) | Jonson, Ben | 1604 | 1604 [Mar 15] | entertainment; royal ent | representative | 4 | 73 % | |
| The Coronation Triumph (The Royal Entry of King James I into London) | Jonson, Ben | 1616 | 1604 [Mar 15] | entertainment; royal ent | other edition | 2 | 100 % | |
| The Courageous Turk, or Amurath the First | Goffe, Thomas | 1632 | 1619 [Feb 24] | tragedy | representative | 30 | 52 % | |
| The Cruel Brother | Davenant, William | 1630 | 1627 [licensed for stage, Jan 12] | tragedy | King's Men | representative | 35 | 43 % |
| The Death of Robert, Earl of Huntingdon (2 Robin Hood) | Munday, Anthony / Chettle, Henry | 1601 | 1598 [Feb 20-Mar 8, payment] | tragedy | Admiral's (Nottingham's) Men | representative | 44 | 87 % |
| The Deserving Favorite | Carlell, Lodowick | 1629 | 1629 [c.1622-1629] | tragicomedy | King's Men | representative | 52 | 45 % |
| The Devil Is an Ass | Jonson, Ben | 1631 | 1616 [Oct-Nov (?)] | comedy | King's Men | representative | 54 | 48 % |
| The Devil's Charter, or Pope Alexander the Sixth | Barnes, Barnabe | 1607 | 1606 | tragedy | King's Men | representative | 45 | 60 % |
| The Devil's Law Case (When Women Go to Law the Devil Is Full of Busine | Webster, John | 1623 | 1619 [1617-1621] | tragicomedy | Queen Anne's Men | representative | 45 | 58 % |
| The Disobedient Child | Ingelend, Thomas | 1570 | 1560 [c.1559-1570] | moral | representative | 25 | 72 % | |
| The Duchess of Malfi | Webster, John | 1623 | 1614 [1612-1614; revised 1617-23(?)] | tragedy | King's Men | representative | 47 | 36 % |
| The Duchess of Suffolk | Drue, Thomas | 1631 | 1624 [licensed for stage, Jan 2] | history | Prince Palatine's (Palsgrave's) | representative | 33 | 49 % |
| The Duke of Milan | Massinger, Philip | 1623 | 1621 [1621-1623] | tragedy | King's Men | representative | 42 | 39 % |
| The Dumb Knight | Markham, Gervase / Machin, Lewis | 1608 | 1608 [1607-1608] | tragicomedy | Children of the King's Revels | representative | 37 | 78 % |
| The Dutch Courtesan (Cockle de Moye) | Marston, John | 1605 | 1605 [1603-1605] | comedy | Children of the Queen's Revels | representative | 35 | 75 % |
| The Elder Brother | Fletcher, John / Massinger, Philip | 1637 | 1625(?) | comedy | King's Men | representative | 39 | 72 % |
| The Emperor of the East | Massinger, Philip | 1632 | 1631 [licensed for stage, Mar 11] | tragicomedy | King's Men | representative | 39 | 77 % |
| The English Traveller | Heywood, Thomas | 1633 | c.1627 | tragicomedy | Lady Elizabeth's Men | representative | 42 | 74 % |
| The Entertainment at Bunhill on the Shooting Day (The Archer) | Middleton, Thomas | 1621 | 1621 [1620-1621] | entertainment; civic pla | representative | 1 | 100 % | |
| The Entertainment at Norwich (Royal Entry of Queen Elizabeth) | Garter, Bernard / Goldingham, William | 1578 | 1578 [Aug] | entertainment; royal ent | representative | 15 | 87 % | |
| The Entertainment at Sir Francis Jones's at Easter (The Four Seasons) | Middleton, Thomas | 1621 | 1621 [1620-1621] | entertainment; civic pla | representative | 3 | 68 % | |
| The Entertainment at Sir Francis Jones's Welcome (Comus the Great Sir | Middleton, Thomas | 1621 | 1621 [1620-1621] | entertainment; civic pla | representative | 3 | 65 % | |
| The Entertainment at Sir William Cokayne's in Easter Week (The Cock) | Middleton, Thomas | 1621 | 1621 [1620-1621] | entertainment; civic pla | representative | 2 | 48 % | |
| The Entertainment at the Conduit Head (The Water Nymph) | Middleton, Thomas | 1621 | 1621 [1620-1621] | entertainment; civic pla | representative | 1 | 100 % | |
| The Entertainment for the General Training (Pallas) | Middleton, Thomas | 1621 | 1621 [1620-1621] | entertainment; civic pla | representative | 2 | 0 % | |
| The Entertainment in Suffolk and Norfolk (Royal Entry of Queen Elizabe | Churchyard, Thomas | 1578 | 1578 [Aug] | entertainment; royal ent | representative | 13 | 54 % | |
| The Entertainment of the French Ambassadors (The Fortress of Perfect B | Goldwell, Henry | 1581 | 1581 [May 15-16] | tilt | representative | 12 | 91 % | |
| The Entertainment of the Lords of the Council by Sheriff Allen (Flora' | Middleton, Thomas | 1621 | 1621 [1620-1621] | entertainment; civic pla | representative | 1 | 100 % | |
| The Entertainment of the Lords of the Council by Sheriff Ducie (Flora' | Middleton, Thomas | 1621 | 1621 [1620-1621] | entertainment; civic pla | representative | 1 | 100 % | |
| The Example | Shirley, James | 1637 | 1634 [licensed for stage, Jun 24] | comedy | Queen Henrietta Maria's Men | representative | 36 | 72 % |
| The Fair Maid of Bristol | Anonymous | 1605 | 1604 [1603-1604] | tragicomedy | King's Men | representative | 18 | 67 % |
| The Fair Maid of the Exchange | Anonymous | 1607 | 1602 [1601-1602] | comedy | Unknown | representative | 41 | 59 % |
| The Faithful Shepherdess | Fletcher, John | 1610 | 1608 [1608-1609] | pastoral; tragicomedy | Children of the Queen's Revels | representative | 40 | 24 % |
| The Family of Love | Barry, Lording | 1608 | 1603 [c.1603-1607] | comedy | Children of the King's Revels | representative | 40 | 27 % |
| The Famous History of Sir Thomas Wyatt | Heywood, Thomas / Dekker, Thomas / Chett | 1607 | 1602 | history | Worcester's Men | representative | 22 | 73 % |
| The Fancies Chaste and Noble | Ford, John | 1638 | 1638 | comedy | Queen Henrietta Maria's Men | representative | 36 | 81 % |
| The Fatal Dowry | Field, Nathan / Massinger, Philip | 1632 | 1619 [1617-1619] | tragedy | King's Men | representative | 42 | 72 % |
| The Fleer | Sharpham, Edward | 1607 | 1606 | comedy | Children of the Queen's Revels | representative | 32 | 59 % |
| The Fortunate Isles and Their Union | Jonson, Ben | 1625 | 1625 [Jan 9] | masque | representative | 6 | 49 % | |
| The Fortunate Isles and Their Union | Jonson, Ben | 1641 | 1625 [Jan 9] | masque | other edition | 6 | 66 % | |
| The Four P's | Heywood, John | 1544 | 1520 [c.1520-1522] | not in BritDrama | representative | 18 | 50 % | |
| The Four Prentices of London | Heywood, Thomas | 1615 | 1594 | romance | Worcester's Men | representative | 44 | 66 % |
| The Gamester | Shirley, James | 1637 | 1633 [licensed for stage, Nov 11] | comedy | Queen Henrietta Maria's Men | representative | 39 | 59 % |
| The Gentleman Usher (Vincentio and Margaret) | Chapman, George | 1606 | 1606 | comedy | Children of the Chapel (second) | representative | 42 | 47 % |
| The Golden Age Restored | Jonson, Ben | 1616 | 1615 [Jan 6] [incorrect] | masque | representative | 3 | 0 % | |
| The Golden Age, or The Lives of Jupiter and Saturn | Heywood, Thomas | 1611 | 1610 [1609-1611] | classical legend or myth | Queen Anne's Men | representative | 36 | 22 % |
| The Grateful Servant (The Faithful Servant) | Shirley, James | 1630 | 1629 [licensed for stage, Nov 3] | comedy | Queen Henrietta Maria's Men | representative | 38 | 45 % |
| The Great Duke of Florence | Massinger, Philip | 1636 | 1627 [licensed for stage, Jul 5] | comedy | Queen Henrietta Maria's Men | representative | 37 | 40 % |
| The Gypsies Metamorphosed | Jonson, Ben | 1641 | 1621 [Aug 3; Aug 5; Sep] | masque | representative | 18 | 67 % | |
| The Hector of Germany, or The Palsgrave, Prime Elector | Smith, William | 1615 | 1614 [c.1614-1615] | history; pseudo-history | representative | 31 | 67 % | |
| The Heir | May, Thomas | 1622 | 1620 | comedy | Red Bull (Revels) Company (first | representative | 33 | 79 % |
| The Hog Hath Lost His Pearl | Tailor, Robert | 1614 | 1613 [Feb 21] | comedy | representative | 34 | 74 % | |
| The Hollander (Love's Trial) | Glapthorne, Henry | 1640 | 1636 [licensed for stage, Mar 12] | comedy | Queen Henrietta Maria's Men | representative | 40 | 43 % |
| The Honest Lawyer | S., S. | 1616 | 1615 [c.1614-1615] | comedy | Queen Anne's Men | representative | 42 | 67 % |
| The Humorous Courtier (The Duke) | Shirley, James | 1640 | 1631 [licensed for stage, May 17] | comedy | Queen Henrietta Maria's Men | representative | 32 | 25 % |
| The Inner-Temple Masque, or The Masque of Heroes | Middleton, Thomas | 1619 | 1619 [Jan 6-Feb 2] | masque | representative | 5 | 60 % | |
| The Insatiate Countess | Marston, John / Machin, Lewis / Barkstea | 1613 | 1607 [c.1607-1608; revised 1609-1613] | tragedy | Children of the Queen's Revels ( | representative | 40 | 68 % |
| The Interlude of Vice (Orestes) | Pickering, John | 1567 | 1567 | tragedy | representative | 24 | 71 % | |
| The Interlude of Youth | Anonymous | 1565 | 1514 [1513-1514] | not in BritDrama | representative | 10 | 49 % | |
| The Isle of Gulls | Day, John | 1606 | 1606 | comedy | Children of the Queen's Revels | representative | 42 | 62 % |
| The Isle of Gulls | Day, John | 1633 | 1606 | comedy | Children of the Queen's Revels | other edition | 43 | 58 % |
| The Jealous Lovers | Randolph, Thomas | 1632 | 1632 [Mar 20] | comedy | representative | 47 | 64 % | |
| The Jew of Malta | Marlowe, Christopher | 1633 | 1589 [c.1589-1590] | tragedy | Unknown | representative | 37 | 67 % |
| The Just Italian | Davenant, William | 1630 | 1629 [licensed for stage, Oct 2] | tragicomedy | King's Men | representative | 31 | 71 % |
| The Knave in Grain, New Vamped | D., J. | 1640 | c.1625 [revised c.1632] | comedy | Unknown | representative | 46 | 61 % |
| The Knight of the Burning Pestle | Beaumont, Francis | 1613 | 1607 | comedy | Children of the Queen's Revels | representative | 42 | 52 % |
| The Ladies' Privilege (The Lady's Privilege) | Glapthorne, Henry | 1640 | 1637 [1637-1640] | not in BritDrama | representative | 31 | 55 % | |
| The Lady of Pleasure | Shirley, James | 1637 | 1635 [licensed for stage, Oct 15] | comedy | Queen Henrietta Maria's Men | representative | 41 | 51 % |
| The Lady's Trial | Ford, John | 1639 | 1638 [licensed for stage, May 3] | not in BritDrama | representative | 34 | 80 % | |
| The Late Lancashire Witches | Heywood, Thomas / Brome, Richard | 1634 | 1634 | comedy | King's Men | representative | 43 | 79 % |
| The Life and Repentance of Mary Magdalene | Wager, Lewis | 1566 | 1558 [c.1550-1566] | moral | representative | 38 | 45 % | |
| The London Prodigal | Anonymous | 1605 | 1604 [1603-1605] | comedy | King's Men | representative | 32 | 72 % |
| The Lord's Masque (Wedding Masque of Stars and Statues Made Human) | Campion, Thomas | 1613 | 1613 [Feb 14] | masque | representative | 4 | 51 % | |
| The Lost Lady | Berkeley, William | 1638 | 1637 [1637-1638] | not in BritDrama | representative | 42 | 69 % | |
| The Love of King David and Fair Bathsheba | Peele, George | 1599 | 1594 [1593-1594] | biblical play; history | Queen Elizabeth's Men (?) | representative | 30 | 26 % |
| The Lover's Melancholy | Ford, John | 1629 | 1628 [licensed for stage, Nov 24] | tragicomedy | King's Men | representative | 36 | 50 % |
| The Magnetic Lady, or Humors Reconciled | Jonson, Ben | 1640 | 1632 [licensed for stage, Oct 12] | comedy | King's Men | representative | 45 | 43 % |
| The Magnificent Entertainment Given to King James (The Royal Entry of | Dekker, Thomas / Jonson, Ben / Middleton | 1604 | 1604 [Mar 15] | pageant; civic play; ent | representative | 5 | 80 % | |
| The Maid of Honor | Massinger, Philip | 1632 | 1621 [1621-1622; prologue, 1629/30(?)] | tragicomedy | Queen Henrietta Maria's Men | representative | 37 | 70 % |
| The Maid's Metamorphosis | Anonymous | 1600 | 1600 [1599-1600] | pastoral; romance | Children of Paul's (second) | representative | 28 | 39 % |
| The Maid's Revenge | Shirley, James | 1639 | 1626 [licensed for stage, Feb 9] | tragedy | Queen Henrietta Maria's Men | representative | 35 | 54 % |
| The Maid's Tragedy | Beaumont, Francis / Fletcher, John | 1619 | 1610 [c.1610-1611] | tragedy | King's Men | representative | 42 | 62 % |
| The Malcontent | Marston, John | 1604 | 1604 [1602-1604] | tragicomedy | Children of the Chapel (second) | representative | 28 | 22 % |
| The Malcontent | Marston, John / Webster, John | 1604 | 1604 [1602-1604] | tragicomedy | Children of the Chapel (second) | other edition | 38 | 31 % |
| The Marriage of Wit and Science | Anonymous | 1570 | 1568 [before 1569] | moral | Children of Paul's (first)(?) | representative | 22 | 69 % |
| The Masque at Lord Haddington's Marriage (The Hue and Cry after the Fu | Jonson, Ben | 1616 | 1608 [Feb 9] | masque | representative | 4 | 76 % | |
| The Masque at Lord Hay's Marriage (Apollo's Knights) | Campion, Thomas | 1607 | 1607 [Jan 6] | masque | representative | 5 | 79 % | |
| The Masque for Lord Montacute (The Montague Masque) (Wedding Masque of | Gascoigne, George | 1575 | 1572 | masque | representative | 8 | 100 % | |
| The Masque of Augurs | Jonson, Ben | 1641 | 1622 [Jan 6] | masque | representative | 6 | 34 % | |
| The Masque of Beauty | Jonson, Ben | 1608 | 1608 [Jan 10] | masque | representative | 3 | 0 % | |
| The Masque of Beauty | Jonson, Ben | 1616 | 1608 [Jan 10] | masque | other edition | 3 | 35 % | |
| The Masque of Blackness (The Twelfth Night's Revels) | Jonson, Ben | 1608 | 1605 [Jan 6] | masque | representative | 3 | 67 % | |
| The Masque of Blackness (The Twelfth Night's Revels) | Jonson, Ben | 1616 | 1605 [Jan 6] | masque | other edition | 2 | 50 % | |
| The Masque of Owls | Jonson, Ben | 1641 | 1624 [Aug 19] | entertainment | representative | 2 | 100 % | |
| The Masque of Queens | Jonson, Ben | 1616 | 1609 [Feb 2] | masque | representative | 4 | 26 % | |
| The Masque of the Inner Temple and Gray's Inn (Wedding Masque of Olymp | Beaumont, Francis | 1613 | 1613 [Feb 20] | masque | representative | 3 | 0 % | |
| The Massacre at Paris | Marlowe, Christopher | 1596 | 1593 [Jan 26; Jan 30] | tragedy | Derby's (Strange's) Men | representative | 19 | 79 % |
| The Merchant of Venice (The Jew of Venice) | Shakespeare, William | 1600 | 1596 [1596-1598] | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 39 | 51 % |
| The Merchant of Venice (The Jew of Venice) | Shakespeare, William | 1619 | 1596 [1596-1598] | comedy | Lord Chamberlain's (Hunsdon's) M | other edition | 43 | 67 % |
| The Merchant of Venice (The Jew of Venice) | Shakespeare, William | 1623 | 1596 [1596-1598] | comedy | Lord Chamberlain's (Hunsdon's) M | other edition | 42 | 72 % |
| The Merry Devil of Edmonton | Anonymous | 1608 | 1602 [1599-1604] | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 23 | 70 % |
| The Merry Wives of Windsor | Shakespeare, William | 1602 | 1597 [Apr 23] | comedy | Lord Chamberlain's (Hunsdon's) M | other edition | 23 | 82 % |
| The Merry Wives of Windsor | Shakespeare, William | 1623 | 1597 [Apr 23] | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 42 | 72 % |
| The Merry Wives of Windsor | Shakespeare, William | 1630 | 1597 [Apr 23] | comedy | Lord Chamberlain's (Hunsdon's) M | other edition | 42 | 76 % |
| The Miseries of Enforced Marriage | Wilkins, George | 1607 | 1606 [1605-1606] | tragedy | King's Men | representative | 47 | 60 % |
| The Misfortunes of Arthur (Certain Devices and Shows Presented to Her | Hughes, Thomas / Fulbecke, William | 1587 | 1588 [Feb 28] | tragedy | representative | 35 | 74 % | |
| The Most Virtuous and Godly Susanna | Garter, Thomas | 1578 | 1569 [1563-1569] | moral | representative | 29 | 72 % | |
| The Muses' Looking Glass | Randolph, Thomas | 1638 | 1630 [licensed for stage, Nov 25] | moral | King's Revels Company | representative | 38 | 67 % |
| The Nature of the Four Elements (Natura Naturata) | Rastell, John | 1520 | 1517 [c.1517-c.1518] | not in BritDrama | representative | 19 | 83 % | |
| The New Inn, or The Light Heart | Jonson, Ben | 1631 | 1629 [licensed for stage, Jan 19] | comedy | King's Men | representative | 44 | 84 % |
| The Night Walker, or The Little Thief | Fletcher, John / Shirley, James | 1640 | c.1611(?) [revised by Shirley and re-licensed for stage, May 11, 1633] | comedy | Lady Elizabeth's Men | representative | 39 | 64 % |
| The Noble Spanish Soldier (The Noble Soldier, or A Contract Broken Jus | Dekker, Thomas | 1634 | 1622 | tragedy | Unknown | representative | 27 | 56 % |
| The Northern Lass | Brome, Richard | 1632 | 1629 [licensed for stage, Jul 29] | comedy | King's Men | representative | 54 | 72 % |
| The Old Wives Tale | Peele, George | 1595 | 1590 [c.1588-1594] | romance | Queen Elizabeth's Men | representative | 15 | 80 % |
| The Opportunity | Shirley, James | 1640 | 1634 [licensed for stage, Nov 29] | comedy | Queen Henrietta Maria's Men | representative | 36 | 8 % |
| The Pageant before Woolstone Dixie | Peele, George | 1585 | 1585 [Oct 29] | civic play; pageant | representative | 2 | 100 % | |
| The Pageant for John Allot | Nelson, Thomas | 1590 | 1590 [Oct 29] | civic play; pageant | representative | 2 | 100 % | |
| The Pardoner and the Friar, the Curate, and Neighbor Pratte | Heywood, John | 1533 | 1519 [1513-1521] | not in BritDrama | representative | 10 | 40 % | |
| The Pedlar's Prophecy | Anonymous | 1595 | 1561 [1561-c.1563] | moral | representative | 27 | 59 % | |
| The Phoenix | Middleton, Thomas | 1607 | 1604 [1603-1604] | comedy | Children of Paul's (second) | representative | 40 | 40 % |
| The Phoenix in Her Flames | Lower, William | 1639 | 1639 [c.1622-1639] | not in BritDrama | representative | 46 | 37 % | |
| The Play of the Weather | Heywood, John | 1544 | 1528 [1519-1528] | comedy | representative | 21 | 71 % | |
| The Presentment of Bushell's Rock (Royal Entertainment at Enstone) | Jordan, Thomas / Bushell, Thomas (mining | 1636 | 1636 [Aug 23] | entertainment; royal ent | representative | 2 | 50 % | |
| The Puritan, or The Widow of Watling Street (The Puritan Widow) | Middleton, Thomas | 1607 | 1606 | comedy | Children of Paul's (second) | representative | 37 | 46 % |
| The Queen's Arcadia (Arcadia Reformed) | Daniel, Samuel | 1606 | 1605 [Aug 30] | pastoral | representative | 41 | 73 % | |
| The Queen's Entertainment at Woodstock | Anonymous | 1585 | 1575 [Sep] | entertainment; royal ent | representative | 17 | 76 % | |
| The Raging Turk, or Bajazet the Second | Goffe, Thomas | 1631 | 1618 [c.1613-c.1618] | tragedy | representative | 51 | 80 % | |
| The Rape of Lucrece | Heywood, Thomas | 1608 | 1607 [1606-1608] | tragedy | Queen Anne's Men | representative | 40 | 50 % |
| The Rebellion | Rawlins, Thomas | 1640 | 1638 [1637-1639] | tragedy | King's Revels Company | representative | 32 | 84 % |
| The Reign of King Edward the Third | Anonymous / Shakespeare, William | 1596 | 1590 [c.1590-1595] | history | Derby's (Strange's) Men (?) | representative | 39 | 48 % |
| The Renegado, or The Gentleman of Venice | Massinger, Philip | 1630 | 1624 [licensed for stage, Sep 17] [incorrect] | tragicomedy | Lady Elizabeth's Men | representative | 39 | 80 % |
| The Revenge of Bussy D'Ambois | Chapman, George | 1613 | 1610 [c.1610-1611] | tragedy | Children of the Queen's Revels | representative | 39 | 61 % |
| The Revenger's Tragedy | Middleton, Thomas | 1607 | 1606 [1605-1606] | tragedy | King's Men | representative | 40 | 28 % |
| The Rival Friends | Hausted, Peter | 1632 | 1632 [Mar 19] | comedy | representative | 63 | 75 % | |
| The Roaring Girl, or Moll Cutpurse | Dekker, Thomas / Middleton, Thomas | 1611 | 1611 | comedy | Prince Henry's Men | representative | 47 | 81 % |
| The Royal Entertainment at Bisham Abbey | Anonymous | 1592 | 1592 [Aug 21] | entertainment; royal ent | representative | 6 | 0 % | |
| The Royal Entertainment at Caversham | Campion, Thomas | 1613 | 1613 [Apr 27-28] | entertainment; masque; r | representative | 4 | 100 % | |
| The Royal Entertainment at Cowdray | Anonymous | 1591 | 1591 [Aug 14] | entertainment; royal ent | representative | 5 | 64 % | |
| The Royal Entertainment at Highgate (The Penates) | Jonson, Ben | 1616 | 1604 [May 1] | entertainment; royal ent | representative | 5 | 53 % | |
| The Royal Entertainment at Rycote | Anonymous | 1592 | 1592 [Sep 28; Oct 1; Oct 2] | entertainment; royal ent | representative | 3 | 100 % | |
| The Royal Entertainment at Sudeley Castle | Anonymous | 1592 | 1592 [Sep 10; Sep 11] | entertainment; royal ent | representative | 2 | 0 % | |
| The Royal Entertainment at Theobalds, 1607 (The Genius) | Jonson, Ben | 1616 | 1607 [May 22] | entertainment; royal ent | representative | 1 | 100 % | |
| The Royal Entertainment of the Queen and Prince at Althorp (The Satyr) | Jonson, Ben | 1604 | 1603 [Jun 25] | entertainment; royal ent | representative | 4 | 50 % | |
| The Royal Entertainment of the Queen and Prince at Althorp (The Satyr) | Jonson, Ben | 1616 | 1603 [Jun 25] | entertainment; royal ent | other edition | 3 | 65 % | |
| The Royal Entertainment of the Two Kings of Great Britain and Denmark | Jonson, Ben | 1616 | 1606 [Jul 24] | entertainment; royal ent | representative | 1 | 100 % | |
| The Royal Entry of King Charles I into Edinburgh (The Entertainment at | Drummond, William / Adamson, John / Craw | 1633 | 1633 [Jun 15] | entertainment; royal ent | representative | 6 | 81 % | |
| The Royal King and the Loyal Subject | Heywood, Thomas | 1637 | 1602 [1602-1618] | romance | Unknown | representative | 39 | 79 % |
| The Royal Master | Shirley, James | 1638 | 1637 [licensed for stage, Apr 23, 1638] | not in BritDrama | representative | 36 | 25 % | |
| The Royal Slave | Cartwright, William | 1639 | 1636 [Aug 30] | tragicomedy | King's Men | representative | 28 | 75 % |
| The Sad Shepherd, or A Tale of Robin Hood | Jonson, Ben | 1641 | 1637 [c.1612-1637] | not in BritDrama | representative | 19 | 63 % | |
| The School of Compliment (Love Tricks) | Shirley, James | 1631 | 1625 [licensed for stage, Feb 11] | comedy | Lady Elizabeth's Men | representative | 44 | 66 % |
| The Scornful Lady | Beaumont, Francis / Fletcher, John | 1616 | 1613 [1613-1616] | comedy | Children of the Queen's Revels | representative | 46 | 55 % |
| The Scottish History of James the Fourth | Greene, Robert | 1598 | c.1590 | romance | Unknown | representative | 40 | 72 % |
| The Seven Champions of Christendom | Kirke, John | 1638 | 1635 [1634-1638] | romance | Red Bull Company (second) | representative | 43 | 88 % |
| The Shepherds' Holiday | Rutter, Joseph | 1635 | 1634 [1633-1635] | pastoral | Queen Henrietta Maria's Men | representative | 39 | 69 % |
| The Shoemaker's Holiday, or The Gentle Craft | Dekker, Thomas | 1600 | 1599 [Jul 15, payment] | comedy | Admiral's (Nottingham's) Men | representative | 38 | 92 % |
| The Sophister (Fallacy, or The Troubles of Great Hermenia) | Zouche, Richard | 1639 | 1614 [c.1614-1620] | comedy | representative | 32 | 81 % | |
| The Spanish Bawd (Calisto and Meliboea) (Celestina) | Mabbe, James / Rojas, Fernando de | 1631 | 1631 | tragicomedy; literary pl | representative | 205 | 71 % | |
| The Spanish Tragedy (Hieronimo is Mad Again) | Kyd, Thomas | 1592 | 1587 [1585-1589; revised c.1597(?) and 1601-2] | tragedy | Unknown | representative | 41 | 76 % |
| The Staple of News | Jonson, Ben | 1631 | 1626 [Feb] | comedy | King's Men | representative | 50 | 74 % |
| The Strange Discovery | Gough, J. | 1640 | 1640 [1624-1640] | romance | representative | 44 | 77 % | |
| The Summoning of Everyman | Anonymous | 1534 | c.1519 | not in BritDrama | representative | 14 | 21 % | |
| The Sun in Aries | Middleton, Thomas | 1621 | 1621 [Oct 29] | civic play; pageant | representative | 3 | 65 % | |
| The Taming of a Shrew | Anonymous | 1594 | 1592 [c.1592-1594] | comedy | Unknown | representative | 25 | 84 % |
| The Taming of a Shrew | Anonymous | 1607 | 1592 [c.1592-1594] | comedy | Unknown | other edition | 25 | 88 % |
| The Taming of the Shrew | Shakespeare, William | 1623 | 1592 [c.1590-1604] | comedy | Pembroke's Men | representative | 41 | 85 % |
| The Taming of the Shrew | Shakespeare, William | 1631 | 1592 [c.1590-1604] | comedy | Pembroke's Men | other edition | 41 | 93 % |
| The Tempest | Shakespeare, William | 1623 | 1611 | comedy | King's Men | representative | 33 | 73 % |
| The Temptation of Our Lord and Saviour, Jesus Christ, by Satan in the | Bale, John | 1547 | 1538 | biblical play | representative | 8 | 13 % | |
| The Three Ladies of London | Wilson, Robert | 1592 | c.1581 | moral | Leicester's Men | representative | 37 | 34 % |
| The Three Laws of Nature, Moses, and Christ, Corrupted by the Sodomite | Bale, John | 1548 | 1538 [revised c.1547 and 1562] | moral | representative | 30 | 7 % | |
| The Three Laws of Nature, Moses, and Christ, Corrupted by the Sodomite | Bale, John | 1562 | 1538 [revised c.1547 and 1562] | moral | other edition | 30 | 13 % | |
| The Three Lords and Three Ladies of London | Wilson, Robert | 1590 | 1588 [1588-1590] | moral | Queen Elizabeth's Men (?) | representative | 41 | 46 % |
| The Tide Tarrieth No Man | Wapull, George | 1576 | 1576 | moral | representative | 30 | 60 % | |
| The Tragedy of Charles Duke of Byron | Chapman, George | 1608 | 1608 [1607-1608] | tragedy | Children of the Queen's Revels | representative | 37 | 49 % |
| The Traitor | Shirley, James | 1635 | 1631 [licensed for stage, May 4] | tragedy | Queen Henrietta Maria's Men | representative | 38 | 34 % |
| The Trial of Chivalry (This Gallant Cavaliero Dick Bowyer) | Anonymous | 1605 | 1601 [1599-1604] | romance | Derby's (Strange's) Men | representative | 38 | 82 % |
| The Trial of Treasure | Wager, William | 1567 | 1567 | moral | representative | 19 | 95 % | |
| The Triumph of Peace | Shirley, James | 1633 | 1634 [Feb 3] | masque | representative | 5 | 80 % | |
| The Triumphs of Fame and Honor | Taylor, John | 1634 | 1634 [Oct 29] | civic play; pageant | representative | 4 | 73 % | |
| The Triumphs of Health and Prosperity | Middleton, Thomas | 1626 | 1626 [Oct 30] | civic play; pageant | representative | 2 | 52 % | |
| The Triumphs of Honor and Industry | Middleton, Thomas | 1617 | 1617 [Oct 29] | civic play; pageant | representative | 2 | 0 % | |
| The Triumphs of Honor and Virtue | Middleton, Thomas | 1622 | 1622 [Oct 29] | civic play; pageant | representative | 3 | 67 % | |
| The Triumphs of Integrity | Middleton, Thomas | 1623 | 1623 [Oct 20] | civic play; pageant | representative | 3 | 34 % | |
| The Triumphs of Love and Antiquity | Middleton, Thomas | 1619 | 1619 [Oct 29] | civic play; pageant | representative | 4 | 26 % | |
| The Triumphs of Reunited Britannia | Munday, Anthony | 1605 | 1605 [Oct 29] | civic play; pageant | representative | 5 | 100 % | |
| The Triumphs of the Prince d'Amour | Davenant, William | 1635 | 1636 [Feb 23 or 24] | masque | representative | 2 | 100 % | |
| The Triumphs of Truth | Munday, Anthony / Middleton, Thomas | 1613 | 1613 [Oct 29] | civic play; pageant | representative | 8 | 75 % | |
| The True Chronicle of King Leir (King Lear and his Three Daughters) | Anonymous | 1605 | 1590 [c.1588-1594] | history | Queen Elizabeth's Men (?) | representative | 43 | 86 % |
| The True Tragedy of Richard the Third | Anonymous | 1594 | 1591 [1588-1594] | tragedy; history | Queen Elizabeth's Men | representative | 40 | 72 % |
| The Turk (Muleasses the Turk) | Mason, John | 1610 | 1607 [1607-1608] | tragedy | Children of the King's Revels | representative | 35 | 67 % |
| The Two Gentlemen of Verona | Shakespeare, William | 1623 | 1593 [c.1593-1594] | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 34 | 80 % |
| The Two Maids of More-Clacke | Armin, Robert | 1609 | 1606 [c.1606-1608] | comedy | Children of the King's Revels | representative | 33 | 63 % |
| The Two Merry Milkmaids, or The Best Words Wear the Garland | Cumber, John | 1620 | 1619 [1619-1620] | comedy | Red Bull (Revels) Company (first | representative | 54 | 44 % |
| The Two Noble Kinsmen | Shakespeare, William / Fletcher, John | 1634 | 1613 [1613-1614] | tragicomedy | King's Men | representative | 48 | 53 % |
| The Unfortunate Mother | Nabbes, Thomas | 1640 | 1640 | not in BritDrama | Unacted | representative | 26 | 31 % |
| The Unnatural Combat | Massinger, Philip | 1639 | 1624 [1624-1625] | tragedy | King's Men | representative | 37 | 78 % |
| The Valiant Scot | W., J. | 1637 | 1626 [1625-1626] | history | Unknown | representative | 32 | 31 % |
| The Valiant Welshman (Caradoc the Great) | A., R. | 1615 | 1612 [1610-1615] | history | Prince Henry's Men | representative | 32 | 63 % |
| The Virgin Martyr | Dekker, Thomas / Massinger, Philip | 1622 | 1620 [licensed for stage, Oct 6; revised and re-licensed for stage, Jul 7, 1624] | tragedy | Red Bull (Revels) Company (first | representative | 43 | 61 % |
| The Vision of Delight | Jonson, Ben | 1641 | 1617 [Jan 6] | masque | representative | 3 | 100 % | |
| The Vision of the Twelve Goddesses (The Masque at Hampton Court) | Daniel, Samuel | 1604 | 1604 [Jan 8] | masque | representative | 3 | 68 % | |
| The Vision of the Twelve Goddesses (The Masque at Hampton Court) | Daniel, Samuel | 1604 | 1604 [Jan 8] | masque | other edition | 3 | 36 % | |
| The Vow Breaker, or The Fair Maid of Clifton | Sampson, William | 1636 | 1625 [1625(?)-1636] | tragedy | representative | 36 | 47 % | |
| The Wars of Cyrus, King of Persia | Anonymous | 1594 | 1588 [1587-1594] | tragedy | Children of the Chapel (first) ( | representative | 26 | 19 % |
| The Wedding | Shirley, James | 1629 | 1626 | comedy | Queen Henrietta Maria's Men | representative | 36 | 56 % |
| The White Devil (Vittoria Corombona) | Webster, John | 1612 | 1612 [Winter 1612-1613] | tragedy | Queen Anne's Men | representative | 49 | 33 % |
| The Whore of Babylon | Dekker, Thomas | 1607 | 1606 [c.1606-1607] | history; allegory | Prince Henry's Men | representative | 43 | 48 % |
| The Widow's Tears | Chapman, George | 1612 | 1604 [1604-1605] | comedy | Children of the Queen's Revels | representative | 43 | 72 % |
| The Winter's Tale | Shakespeare, William | 1623 | 1610 [c.1610-1611] | romance | King's Men | representative | 50 | 80 % |
| The Wise Woman of Hogsdon | Heywood, Thomas | 1638 | c.1604(?) | comedy | Unknown | representative | 36 | 58 % |
| The Witty Fair One | Shirley, James | 1633 | 1628 [licensed for stage, Oct 3] | comedy | Queen Henrietta Maria's Men | representative | 33 | 58 % |
| The Woman Hater (The Hungry Courtier) | Beaumont, Francis / Fletcher, John | 1607 | 1606 | comedy | Children of Paul's (second) | representative | 46 | 54 % |
| The Woman in the Moon | Lyly, John | 1597 | 1593 [1590-1595] | comedy | Children of Paul's (first) | representative | 25 | 60 % |
| The Wonder of A Kingdom | Dekker, Thomas | 1636 | 1631 [1619-1631] | comedy | Prince Charles's Men (first) (?) | representative | 30 | 43 % |
| The Wonder of Women, or Sophonisba | Marston, John | 1606 | 1605 [1605-1606] | tragedy | Children of the Queen's Revels | representative | 26 | 80 % |
| The World Tossed at Tennis | Middleton, Thomas / Rowley, William | 1620 | 1620 | masque | Prince Charles's Men (first) | representative | 16 | 63 % |
| The Wounds of Civil War, or Marius and Scilla | Lodge, Thomas | 1594 | 1588 [1586-1591] | tragedy | Admiral's (Nottingham's) Men | representative | 38 | 16 % |
| The Young Admiral | Shirley, James | 1637 | 1633 [licensed for stage, Jul 3] | tragicomedy | Queen Henrietta Maria's Men | representative | 36 | 64 % |
| Thebais (Seneca's Third Tragedy) | Seneca, Lucius Annaeus / Newton, Thomas | 1581 | 1581 | tragedy | representative | 23 | 56 % | |
| Thersites | Udall, Nicholas | 1562 | 1537 [Oct 12-24] | comedy | representative | 14 | 57 % | |
| Thierry and Theodoret | Anonymous / Fletcher, John / Massinger, | 1621 | 1617 [1613-1621] | tragedy | King's Men | representative | 38 | 63 % |
| Thomas Lord Cromwell | S., W. | 1602 | 1600 [c.1599-1602] | history | Lord Chamberlain's (Hunsdon's) M | representative | 26 | 77 % |
| Thomas Lord Cromwell | S., W. | 1613 | 1600 [c.1599-1602] | history | Lord Chamberlain's (Hunsdon's) M | other edition | 28 | 93 % |
| Thyestes (Seneca's Second Tragedy) | Heywood, Jasper / Seneca, Lucius Annaeus | 1560 | 1560 | tragedy | representative | 24 | 54 % | |
| Thyestes (Seneca's Second Tragedy) | Heywood, Jasper / Seneca, Lucius Annaeus | 1581 | 1560 | tragedy | other edition | 24 | 50 % | |
| Time Vindicated to Himself and to His Honors | Jonson, Ben | 1623 | 1623 [Jan 19] | masque | representative | 6 | 50 % | |
| Time Vindicated to Himself and to His Honors | Jonson, Ben | 1641 | 1623 [Jan 19] | masque | other edition | 6 | 50 % | |
| Timon of Athens | Shakespeare, William / Middleton, Thomas | 1623 | 1607 [c.1606-c.1608] | tragedy | King's Men | representative | 35 | 71 % |
| Titus Andronicus | Peele, George / Shakespeare, William | 1594 | 1594 [Jan 23 (24); poss. written 1590-1592] | tragedy | Pembroke's Men (?) | representative | 38 | 61 % |
| Titus Andronicus | Peele, George / Shakespeare, William / M | 1623 | 1594 [Jan 23 (24); poss. written 1590-1592] | tragedy | Pembroke's Men (?) | other edition | 40 | 68 % |
| Tottenham Court | Nabbes, Thomas | 1638 | 1638 | comedy | Prince Charles's Men (second) (? | representative | 33 | 61 % |
| Troas (Seneca's Sixth Tragedy) | Heywood, Jasper / Seneca, Lucius Annaeus | 1581 | 1559 | tragedy | representative | 27 | 4 % | |
| Troia Nova Triumphans (London Triumphing) | Dekker, Thomas | 1612 | 1612 [Oct 29] | civic play; pageant | representative | 5 | 21 % | |
| Troilus and Cressida | Shakespeare, William | 1609 | 1602 [1602-1603] | tragedy | Lord Chamberlain's (Hunsdon's) M | other edition | 50 | 44 % |
| Troilus and Cressida | Shakespeare, William | 1623 | 1602 [1602-1603] | tragedy | Lord Chamberlain's (Hunsdon's) M | representative | 52 | 25 % |
| Twelfth Night, or What You Will | Shakespeare, William | 1623 | 1601 [1601-1602] | comedy | Lord Chamberlain's (Hunsdon's) M | representative | 39 | 82 % |
| Two Lamentable Tragedies | Yarington, Robert | 1601 | 1594 [1594-c.1598] | tragedy | Unknown | representative | 37 | 49 % |
| Two Wise Men and All the Rest Fools | Anonymous | 1619 | 1619 [1613-1619] | satire; dialogue | representative | 68 | 63 % | |
| Volpone, or The Fox | Jonson, Ben | 1616 | 1606 [1605-1606] | comedy | King's Men | representative | 53 | 64 % |
| Wealth and Health | Anonymous | 1565 | 1554 [1553-c.1555] | moral | representative | 15 | 20 % | |
| Westward Ho | Dekker, Thomas / Webster, John | 1607 | 1604 | comedy | Children of Paul's (second) | representative | 45 | 73 % |
| What You Will | Marston, John | 1607 | 1607 | comedy | Children of Paul's (second) (?) | representative | 34 | 77 % |
| When You See Me You Know Me (Henry the Eighth) | Rowley, Samuel | 1605 | 1604 | history | Prince Henry's Men | representative | 48 | 42 % |
| Wily Beguiled | Anonymous | 1606 | 1602 [1601-1602] | comedy | Unknown | representative | 40 | 78 % |
| Wine, Beer, and Ale Together by the Ears (Wine, Beer, Ale, and Tobacco | Anonymous | 1629 | 1625 [1624-1626(?)] | dialogue | representative | 10 | 90 % | |
| Wine, Beer, and Ale Together by the Ears (Wine, Beer, Ale, and Tobacco | Anonymous | 1630 | 1625 [1624-1626(?)] | dialogue | other edition | 12 | 100 % | |
| Wit in a Constable | Glapthorne, Henry | 1640 | 1638 [1636-1638; revised 1639] | not in BritDrama | representative | 31 | 55 % | |
| Work for Cutlers (Sword, Rapier, and Dagger) | Anonymous | 1615 | 1615 [1614-1615] | entertainment; academic | representative | 4 | 0 % | |
| Your Five Gallants (The Five Witty Gallants) | Middleton, Thomas | 1608 | 1607 | comedy | Children of the Queen's Revels | representative | 40 | 70 % |