Renaissance Drama — Topics · seed 42

Topic 48 — Addressing a lady: love, desire and intimacy

Dominant work: The Broken Heart · genre mix of this topic (British Drama labels): comedy 31%; tragedy 20%; tragicomedy 12%

49chunks
24,149words
39works
1works with ≥3 chunks
8 %dominant work
16 %top-3 works

All statistics on this page are on the representative editions (one per work). Including the other editions, placed after the fit: 50 chunks · 39 works · 24,675 words — those 1 chunks are listed at the end of the page and are not part of any figure above.

Classification reviewed — decision pending · left pending by the researcher
Label (researcher): Addressing a lady: love, desire and intimacy
Notes (researcher): sample review finds erotic address, secrecy and bodily humour. A coherent distinct emphasis relative to the other love/gallantry clusters is not yet clear; keep pending rather than dismissing the members as meaningless. Reviewed excerpts (three different works): 952_00156; 1117_00006; 430_00010.
Original AI draft — before researcher review
draft label: Addressing a lady: love, eyes and tears · pattern basis: mixed_or_unclear
49 chunks, 39 works, only one work with 3+ chunks, no work above 8 %. Speeches to or about a lady — love, heart, eyes, tears, 'fie' — but the samples range from Ford's Broken Heart to Nature's speech in Wit and Science, a bawd in Blurt and Jonson's gypsy palmistry. Cross-work by the numbers, diffuse in content; read before using (T4 is the clearer love cluster).
chunks read for the draft: 1003_00012;95_00000;430_00010;826_00027;364_00032;1139_00006;896_00019

Keywords

Class-TF-IDF (uniform rule)

ladyloveheartfaireyeslalordtearsfieface

KeyBERT-style (cosine of word to topic centroid)

ladymadamlovepassionlordlovespardonheavenheartserve

MMR (diversified)

ladypassionpardonthoughtsheavenlordsweettearsservefie

Amber = capitalised in ≥80 % of occurrences (probable name). Keywords are computed on the unmasked text.

Most typical chunk of each of the leading works

Ford, John, 1633 · tragedy · 4 chunks of this work here
With pardon, Lady, not a syllable Of mine implies so rude a sense; the drift.— Do thy best To make this Lady merry for an hour. Your will shall be a law, Sir. prithee leave me, I h…
Anonymous, 1570 · moral · 2 chunks of this work here
Reason is her sire, Experience her dame, The Lady now is in her flowers and Science is her name Lo where she dwells, lo where my heart is all possessed, Lo where my body would abid…
Anonymous, 1602 · romance · 2 chunks of this work here
Hark swaggerer, there's a little dapple-coloured rascal: ho a Bona Roba; her name's Imperia, a Gentlewoman by my faith of an ancient house, and has goodly rents, and comings in of …
Massinger, Philip, 1624 · tragicomedy · 2 chunks of this work here
I forgive you. How greedily I receive this? Stay, best Lady, And let me by degrees ascend the height Of humane happiness; All at once delivered, The torrent of my joys will overwhe…
Randolph, Thomas, 1632 · comedy · 2 chunks of this work here
Prayer is cheap reward. And nothing now bought at a rate so easy As that same highway ware.— Heaven bless your worship. In plain words Lady (I can use no language But what is blunt…
Shakespeare, William / Fletcher, John, 1634 · tragicomedy · 2 chunks of this work here
Poor Lady, say no more: I had as lief trace this good action with you As that whereto I am going, and never yet Went I so willing, way. My Lord is taken Hart deep with your distres…
Dekker, Thomas / Middleton, Thomas, 1639 · tragedy · 2 chunks of this work here
methinks this a longer voyage than the first? Pleasures once tasted makes the next seem worse. Is that the trick? Oh sir, experience proves it, You came at first to enjoy what you …
Jonson, Ben, 1641 · masque · 2 chunks of this work here
YOur pardon Lady, here you stand, If some should judge you by your hand The greatest felon in the Land Detected: I cannot tell you by what Arts, But you have stolen so many hearts,…

Genre mix (chunks of this topic, British Drama labels)

comedy
15 (31 %)
tragedy
10 (20 %)
tragicomedy
6 (12 %)
romance
5 (10 %)
not in BritDrama
4 (8 %)
entertainment; royal entertainment or entry
3 (6 %)
moral
2 (4 %)
masque
2 (4 %)

This is the direction topic → genre, on the raw British Drama labels; the share of each genre group's text that falls in this topic is on the Genre page.

Works

The Broken Heart (4), The Marriage of Wit and Science (2), Blurt, Master Constable, or The Spaniard (2), The Bondman (The Noble Bondman) (2), The Jealous Lovers (2), The Two Noble Kinsmen (2), The Bloody Banquet (2), The Gypsies Metamorphosed (2), Damon and Pithias (1), The Queen's Entertainment at Woodstock (1), The Royal Entertainment at Cowdray (1), The Reign of King Edward the Third (1), Old Fortunatus (1), The Merchant of Venice (The Jew of Venic (1), The Royal Entertainment of the Queen and (1) …

Excerpts

The Spanish Bawd (Calisto and Meliboea) (Celestina (1631) · typ. 0.93
Dear Lady, since for to obtain this favour, I have spent my whole life, what folly were it in me, to refuse that which you have so kindly conferred upon me? Nor (Madame) do I hope, that you will lay so hard a command upon me, or if you should, yet have I not power to contain myself within the limits of your command. Do not impose …
The Lost Lady (1638) · typ. 0.91
…n your service, when it does not answer What is expected from it, all I know, Is but conjectured, for our Stars incline, Not force us in our actions. Let me observe your face. Do, and if yet you are not perfect in your Mysteries, Observe mine well, and when you meet a face Branded with such a line, conclude it miserable: When an eye that …
The Broken Heart (1633) · typ. 0.91
…ty hallows With glorified perfection. Set thy wits In a less wild proportion. Time can never On the white table of unguilty faith Write counterfeit dishonour; turn those eyes (The arrows of pure love) upon that fire Which once rose to a flame, perfumed with vows As sweetly scented as the License smoking like The holiest Altars, Virgin tea…
The Broken Heart (1633) · typ. 0.90
…She needs no tongue To plead excuse, who never purposed wrong. Virgin of reverence and antiquity Stay you behind. The Court wants not your diligence. What will you do my Lord? my Lady's gone, I am denied to follow. I may see her. Or speak to her once more. And feel her too, man, Be of good cheer, she's your own flesh and bone. Diseases de…
The Example (1637) · typ. 0.90
…religion can correct your wildness, Another's price, or pleasure, would not buy me Even from your arms? there is no faith in lust, And she that dares be false to one she loves, Will twine with all the world, and never blush for't, Kiss, and betray as often. Think on this, And call yourself home, Lady, I have heard you, And do allow the ex…
Old Fortunatus (1600) · typ. 0.89
…r, and another, & another, I and another: 'tis not the purse I care for, but the purser: you, I you. Is't not a shame that a king's daughter, a fair Lady, a Lady not for Lords, but for Monarchs, should for gold sell her love, and when she has her own asking, and that there stands nothing between, than to cheat your sweet heart? O fie, fie…
The Gypsies Metamorphosed (1641) · typ. 0.89
YOur pardon Lady, here you stand, If some should judge you by your hand The greatest felon in the Land Detected: I cannot tell you by what Arts, But you have stolen so many hearts, As they would make you at all parts Suspected. Your very face first, such a one As bein…
The Lover's Melancholy (1629) · typ. 0.89
…ter Disrobed of that fair ornament, live naked, A scorn to time and truth. Remember well who I am, and what thou art. That remembrance Prompts me to worthy duty, O great Lady. If some few days have tempted your free heart, To cast away affection on a stranger: If that affection have so overswayed Your judgement, that it in a manner hath D…
The Phoenix in Her Flames (1639) · typ. 0.89
…m your Patient, But am ashamed to lay to you open my wound: Imagine in what nature 'tis by these My tears, my blushes, my abrupted sighs, My broken speeches, my dejected eyes, My strange unwonted passions: more, I am Your prisoner too by the commanding power Of all subduing love, now 'tis in you To cure me, 'tis in you to give me life And…
The Ball (1639) · typ. 0.88
…leasant. Be you so too; I'll justify thou shalt Have cause. To wonder at you, what's your meaning sir? Sweet Lady, What thoughts make sad your brow? I have observed Your eyes shoot clearer light. You are deceived, I am not melancholy. Be for ever banished The imagination of what can happen To cloud so rare a beauty, y'are in love. In love…
The Jealous Lovers (1632) · typ. 0.88
…ee. I thank thee blessed occasion:— Now I dare Defy thee devil: here is that shall keep My chastity secure, and arm a maid, To scorn your strength. Be not too masculine, Lady. Stand off, or I will search my heart with this, And force my blood a passage, that in anger Shall fly into thy face, and tell thee boldly Thou art a villain. Incomp…
The Merchant of Venice (The Jew of Venice) (1600) · typ. 0.88
… he hath done well in people's eyes: Hearing applause and universal shout, Giddy in spirit, still gazing in a doubt whether those peals of praise be his or no, So thrice fair Lady stand I even so, As doubtful whether what I see be true, Until confirmed, signed, ratified by you. You see me Lord Bassamo where I stand, such as I am; though f…

All 49 chunks of the representative editions (chronological; click a header to sort)

chunkplayauthorpublishedgenrewordstypicality
95_00001The Marriage of Wit and ScienceAnonymous1570moral5240.792
95_00000The Marriage of Wit and ScienceAnonymous1570moral4750.782
100_00005Damon and PithiasEdwards, Richard1571comedy5310.730
149_00000The Queen's Entertainment at WoodstockAnonymous1585entertainment; royal e5040.852
177_00001The Royal Entertainment at CowdrayAnonymous1591entertainment; royal e3080.679
271_00005The Reign of King Edward the ThirdAnonymous / Shakespeare, William1596history5090.803
364_00032Old FortunatusDekker, Thomas1600romance4940.894
391_00020The Merchant of Venice (The Jew of Venice)Shakespeare, William1600comedy5270.880
430_00017Blurt, Master Constable, or The Spaniard's Night WalkAnonymous1602romance4760.787
430_00010Blurt, Master Constable, or The Spaniard's Night WalkAnonymous1602romance4610.771
462_00001The Royal Entertainment of the Queen and Prince at AlthJonson, Ben1604entertainment; royal e4940.760
538_00038Sir Giles GoosecapChapman, George1606comedy5160.777
533_00023The Gentleman Usher (Vincentio and Margaret)Chapman, George1606comedy5070.775
721_00015The Insatiate CountessMarston, John / Machin, Lewis / Ba1613tragedy4830.673
826_00027Thierry and TheodoretAnonymous / Fletcher, John / Massi1621tragedy4840.817
850_00022The HeirMay, Thomas1622comedy4880.784
658_00024Troilus and CressidaShakespeare, William1623tragedy4910.869
862_00030The Two Gentlemen of VeronaShakespeare, William1623comedy5300.843
892_00009Cymbeline, King of BritainShakespeare, William1623romance4770.775
896_00028The Bondman (The Noble Bondman)Massinger, Philip1624tragicomedy4770.871
896_00019The Bondman (The Noble Bondman)Massinger, Philip1624tragicomedy5260.868
914_00019The Lover's MelancholyFord, John1629tragicomedy5090.889
930_00011The Renegado, or The Gentleman of VeniceMassinger, Philip1630tragicomedy4890.798
952_00156The Spanish Bawd (Calisto and Meliboea) (Celestina)Mabbe, James / Rojas, Fernando de1631tragicomedy; literary 5130.932
956_00039The New Inn, or The Light HeartJonson, Ben1631comedy5120.870
951_00022Hoffman, or A Revenge for a FatherChettle, Henry1631tragedy5140.819
987_00028The Jealous LoversRandolph, Thomas1632comedy5000.884
980_00017Changes, or Love in a MazeShirley, James1632comedy4990.876
987_00005The Jealous LoversRandolph, Thomas1632comedy4900.835
1003_00012The Broken HeartFord, John1633tragedy5070.909
1003_00018The Broken HeartFord, John1633tragedy4670.901
1000_00003The Witty Fair OneShirley, James1633comedy5150.872
1003_00025The Broken HeartFord, John1633tragedy4690.870
1003_00008The Broken HeartFord, John1633tragedy4890.734
1018_00002The Two Noble KinsmenShakespeare, William / Fletcher, J1634tragicomedy4680.876
1018_00037The Two Noble KinsmenShakespeare, William / Fletcher, J1634tragicomedy5090.828
1054_00012The ExampleShirley, James1637comedy4980.896
1070_00011The Lost LadyBerkeley, William1638not in BritDrama5090.912
1085_00012The Seven Champions of ChristendomKirke, John1638romance4930.775
1120_00021The Phoenix in Her FlamesLower, William1639not in BritDrama5060.885
1095_00024The BallShirley, James1639comedy4970.884
1117_00020The Bloody BanquetDekker, Thomas / Middleton, Thomas1639tragedy4820.857
1117_00006The Bloody BanquetDekker, Thomas / Middleton, Thomas1639tragedy5120.840
1113_00007Albertus WallensteinGlapthorne, Henry1639not in BritDrama5340.811
1102_00023The Sophister (Fallacy, or The Troubles of Great HermenZouche, Richard1639comedy4980.779
1153_00015Sicily and Naples, or The Fatal UnionHarding, Samuel1640not in BritDrama4920.850
1152_00034Rule a Wife and Have a WifeFletcher, John1640comedy4960.848
1139_00006The Gypsies MetamorphosedJonson, Ben1641masque4540.893
1139_00005The Gypsies MetamorphosedJonson, Ben1641masque4460.762

Chunks from other editions (1; placed after the fit, not in the statistics)

chunkplayauthorpublishedgenrewordstypicality
392_00023The Merchant of Venice (The Jew of Venice)Shakespeare, William1619comedy5260.874